Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
Sacred ceremonies at Athens were the most luminous that prevailed in
Greece, and were most characteristic of the city of intelligence. In
the great Panathenean rites, there was carried in solemn procession
to the Acropolis a symbolical vessel covered with a vail upon which
were figured the triumph of Pallas over the Titans, children of
earth who undertook to scale Olympus and dethrone Jove. The conflict
between physical and moral force was therein represented, that triumph
above mere natural religion which exists in mental supremacy and the
civilization of law. Moreover, Athenian coins preserve to us allusions
to impressive rites which were performed three times a year in honor
of Vulcan and Prometheus. The votaries assembled at night, and at the
altar of the deity, upon which a fire continually burned, at a given
signal lighted a torch and ran with the blazing symbol to the city's
outer bound. If the lights of some became extinguished, the more
fortunate still pursued with greater zeal, and he was most honored who
first reached the goal with his torch a-light. But the religion of
Greece was not characterized by ritual splendor only; on the contrary,
their public worship was marked by the simplicity of devout fervor, as
well as by the chasteness of fine taste and that unadorned solemnity
which had been inherited from the patriarchal ages. They were much less
inclined to pomp and finery connected with their devotion, than are the
moderns. Rude emblems were sometimes borne at sacred solemnities, but
they were in the hands of honorable women, and all offense to religious
feeling was arrested in their being first hallowed by the dignity of
the festival.
Public-domain text, read in full here on John Shaqi.
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