Westward empire : $b or, the great drama of human progressMagoon, Elias Lyman
History
Westward empire : $b or, the great drama of human progress
Magoon, Elias Lyman
Civilization, Western
A marked peculiarity of Greek civilization consists in the fact that
literature there led all excellence, illustrated and sustained by the
harmonious accompaniment of the sister arts. In the East, each work,
whatever its kind, stood imperfect and independent of all beside. But
in the best age of the best works in the first literary metropolis
of the West, it would be nearly, if not quite, impossible to point
out a single production that did not refer to the written book, thus
furnishing the means of just appreciation, by a comparison with the
particular myth or action it was designed to personate. What the
writer expressed in words, the correlative artist chanted, painted,
sculptured, or built in more material, but not less beautiful forms.
The drama most impressively exemplified this fact, using words as a
poet, but adding the simultaneous commentary of melody, statuesque
motion, pictorial resemblance, and architectural grandeur. This was
the absorption of the lyric, the personation of the epic, and the
consummation of transcendant dramatic art.
Athens was the inventress of learning, and the first great foundation
of republican law. Like the motion of a serpent, which the Egyptians
made the emblem of intellectual power, or like the path of lightning
through murky air, at each actual advance humanity may seem to recede,
but every such retrogressive movement really accumulates force to carry
itself in advance. True, patriotism loves its object to such a degree,
that it is ready to incur any sacrifice in favor of those it would
benefit, but ceases to be a virtue when it selfishly reclines enamored
of its own visage. Narcissus was not the type of national benefactors,
but the great law-givers of Sparta and Athens were, when they traveled
far, and at great hazards, to gather knowledge for the education of
their countrymen.
The illustrious son of Eumonius was the great law-giver of the Doric
race, whose institutions have excited much curiosity, but which are
involved in an obscurity too dense to be easily removed. He was one of
the very few great spirits of Sparta, and like his co-patriot Leonidas,
passed through a dubious path from an obscure birth to everlasting
fame. In the light of history, the whole life of the latter,
especially, lies in a single action, and we can learn nothing authentic
of him until the last few days of his career. In the annals of renown,
only one proud page is dedicated to the memory of such men, and that
contains nothing but an epitaph.
Public-domain text, read in full here on John Shaqi.
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