But the figure that came sauntering down the aisle was not Edwin
Carlisle, the hero. A queer enough figure he looked in that
representative assemblage in his faded trousers and blue flannel shirt.
Rough, uncouth and unaccustomed to such environment, he still bore a
certain air of serene heedlessness to all this pomp and circumstance, as
if he were concerned only with that which was really significant and
vital. One could not say of him that he _seemed_ at home, for that would
be paying the place an unconscious tribute. His calm assurance and easy
strength seemed to imply that the whole world was his home and that one
place was much like another to him.
He paused half-way down the aisle and then for the first time the boys
in the front row saw him, just as he began to speak. Westy Martin stared
aghast like one seeing a ghost and his heart thumped in his throat as he
listened.
“I d’no’s I oughter speak out ’n meetin’, as the feller says, but I got
somethin’ ter say in this here jamboree.”
A silence like the silence of the grave followed. One astonished girl
(it might have been Doris Martin) said something undistinguishable in an
amazed, audible whisper.
“I been in the Yallerstone,” drawled the speaker, “an’ I like what you
said—you gent. But I’m interested in somethin’ bigger ’n the Yallerstone
an’ that’s a kid yer got here. He’s big enough ter make the Yallerstone
look like one er them there city grass-plots I see. I’m talkin’ ter you,
mister, an’ before you go ter makin’ any plunge yer better listen. I was
goner speak out when you says somethin’ ’baout shootin’ deer, but I
didn’.
“I’m down off a farm up Dawson way owned by his uncle—this here kid I’m
talkin’ ’baout. And if he’s settin’ roun’ here anywheres an’ hears me
tell any lies ’baout him he can up an’ call me a liar. Then I’ll let him
have—jes—two—shots—that’ll shut ’im up.”
“Gracious!” Some lady said shuddering. “Is he a lunatic?”
“Two shots, one big and one little I got in my pocket and I’ll tell him
to his face that he’s a little rascal of a prince. Yer happen ter be
anywheres around, Westy?”
Silence, save for nervously fidgeting figures and people down in front
turning and craning to see this strange apparition.
“Stand up, Westy, cause yer got ter go through with it and I’m down off
the farm ter take care o’ that. Some o’ you youngsters make him stand
up, wherever he is.”
They made him stand up, and there he stood, nervous, ashamed, gulping.
He longed to be near Ira, to say “This is my friend,” yet he could not
bring himself even to look at him.
“There yer are—thanks, you boys. Now, mister, that there kid had a
hunderd dollars saved up ter go to Yallerstone Park; he worked fer it,
chorin’ roun’ on the farm, helpin’ me hayin’ an’ what all. He starts
home with his hunderd dollars an’ sees a deer in the woods what’s been
dropped but ain’t killed—don’t leave ’im sit down, you boys.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account