Circus -- Juvenile fiction; Fantasy fiction; Mermaids -- Juvenile fiction; War -- Juvenile fiction
The wheelbarrow was heavy and they rather shrank from imagining how
much heavier it would be when the discontented Mermaid was curled up in
it. However, they took it in turns, and got along all right by the back
lane that comes out above the waste ground where Beachfield holds its
fairs.
“I hope the night’s dead enough,” Mavis whispered as the circus came in
sight, looking very white in the starlight, “it’s nearly two by now I
should think.”
“Quite dead enough, if that’s all,” said Francis; “but suppose the
gypsies are awake? They do sit up to study astronomy to tell fortunes
with, don’t they? Suppose this is their astronomy night? I vote we
leave the barrow here and go and reconnoiter.”
They did. Their sandshoes made no noise on the dewy grass, and treading
very carefully, on tiptoe, they came to the tent. Francis nearly
tumbled over a guy rope; he just saw it in time to avoid it.
“If I’d been Bernard I should have come a beastly noisy cropper over
that,” he told himself. They crept around the tent till they came to
the little square bulge that marked the place where the tank was and
the seaweed and the Mermaid.
“They die in captivity, they die in captivity, they die in captivity,”
Mavis kept repeating to herself, trying to keep up her courage by
reminding herself of the desperately urgent nature of the adventure.
“It’s a matter of life and death,” she told herself—“life and death.”
And now they picked their way between the pegs and guy ropes and came
quite close to the canvas. Doubts of the strength and silence of the
knife possessed the trembling soul of Francis. Mavis’s heart was
beating so thickly that, as she said afterward, she could hardly hear
herself think. She scratched gently on the canvas, while Francis felt
for the knife with the three blades and the corkscrew. An answering
signal from the imprisoned Mermaid would, she felt, give her fresh
confidence. There was no answering scratch. Instead, a dark line
appeared to run up the canvas—it was an opening made by the two hands
of the Mermaid which held back the two halves of the tent side, cut
neatly from top to bottom. Her white face peered out.
“Where is the chariot?” she asked in the softest of whispers, but
not too soft to carry to the children the feeling that she was, if
possible, crosser than ever.
Francis was afraid to answer. He knew that his voice could never be
subdued to anything as soft as the voice that questioned him, a voice
like the sound of tiny waves on a summer night, like the whisper of
wheat when the wind passes through it on a summer morning. But he
pointed toward the lane where they had left the wheelbarrow and he and
Mavis crept away to fetch it.
Public-domain text, read in full here on John Shaqi.
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