Circus -- Juvenile fiction; Fantasy fiction; Mermaids -- Juvenile fiction; War -- Juvenile fiction
“Under a picture” they told her, not knowing that it was also written
in the works of Mr. John Milton.
“Then I’m afraid you’ll have to wait ’til someone happens to read what
is under the picture,” said Maia kindly.
“But the house is locked up; there’s no one there to read anything,”
Bernard reminded them.
There was a dismal silence. Then:
“Perhaps burglars will break in and read it,” suggested Reuben kindly.
“Anyhow, what’s the use of kicking up a shine about it? _I_ can’t see
what you want to go back for. It’s a little bit of all right here, so
it is—I _don’t_ think. Plucky sight better than anything _I_ ever come
across. I’m a-goin’ to enjoy myself I am, and see all the sights. Miss,
there, said we might.”
“Well spoken indeed,” said Maia, smiling at his earnest face. “That is
the true spirit of the explorer.”
“But we’re not explorers,” said Mavis, a little crossly, for her; “and
we’re not so selfish as you think, either. Mother will be awfully
frightened if we’re not home to tea. She’ll think we’re drowned.”
“Well, you _are_ drowned,” said Maia brightly. “At least that’s what I
believe you land people call it when you come down to us and neglect to
arrange to have the spell of return said for you.”
“How horrible,” said Mavis. “Oh, Cathay,” and she clutched her sister
tightly.
“But you needn’t _stay_ drowned,” said the Princess. “Someone’s sure
to say the spell somehow or other. I assure you that this is true; and
then you will go home with the speed of an eel.”
They felt, somehow, in their bones that this was true, and it consoled
them a little. Things which you feel in your bones are most convincing.
“But Mother,” said Mavis.
“You don’t seem to know much about magic,” said Maia pityingly: “the
first principle of magic is that time spent in other worlds doesn’t
count in your own home. No, I see you don’t understand. In your home
it’s still the same time as it was when you dived into the well in the
cave.”
“But that’s hours ago,” said Bernard; and she answered:
“I know. But your time is not like our time at all.”
“What’s the difference?”
“I can’t explain,” said the Princess. “You can’t compare them any more
than you can compare a starlight and a starfish. They’re quite, quite
different. But the really important thing is that your Mother won’t be
anxious. So now why not enjoy yourselves?”
And all this time the other Princess had been holding up the jar which
was the source of all the rivers in all the world.
“Won’t she be very tired?” asked Reuben.
“Yes, but suppose all the rivers dried up—and she had to know how
people were suffering—that would be something much harder to bear than
tiredness. Look in the pool and see what she is doing for the world.”
They looked, and it was like a colored cinematograph; and the pictures
melted into one another like the old dissolving views that children
used to love so before cinematographs were thought of.
Public-domain text, read in full here on John Shaqi.
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