No "kit of tools" was ever so complete as is the bodily instrument
given to each one of us. Its mechanism has been the inspiration of
inventors; it combines all forms of mechanical devices; its delicacy,
intricacy, completeness and adaptability challenge the admiration of
the philosopher, the engineer, the master mechanic.
I cannot here tell you of all its wonders,[1] but I would like to give
you such an exalted idea of its importance that you would look upon it
with reverence and take a justifiable pride in keeping it in perfect
working order. I would like to make you feel your personal
responsibility in regard to its condition.
You know that in the ages past men believed the body to be the
individual, and they endeavored through care of the body to build up
mental as well as physical power. In those days the acrobat and the
sage were found working side by side in the gymnasium, the one to gain
physical strength, the other to increase his mental ability, and each
profited as he desired.
When men made the discovery that the body is not the individual, but
merely his dwelling and instrument of expression, they came to feel
less regard for it, and lost their interest in its care and culture.
Even the early Christians, forgetting what Paul said about the body as
a temple, began to call it vile, and thought it an evidence of great
piety to treat it with contempt. I have read of one religious sect who
believed that the Creator of the body could not have been the Creator
of the soul, and held that the chief object of God's government was to
deliver the captive souls of men from their bodily prisons.
When men began to understand that the thinking principle was the real
self and the body merely a material encasement, it was no wonder that
they valued the body less and held mind as of great value. They failed
to see that mind without a material organ of expression is, in this
world, of no account. A great pianist with no piano could not make
music, and he would be considered a strange being if he did not care
for his instrument most scrupulously. Think of a Rubinstein
voluntarily breaking the piano strings or smashing the keys, while he
made discordant poundings, and excusing himself by saying that it was
"fussy" to take care of a piano until it was old. You cannot imagine
such a thing. We can all appreciate the value of a man-made instrument
or machine; but the God-created body, a combination of machines and
instruments of marvelous power and delicacy, we neglect or treat with
absolute, positive injury, and excuse ourselves on the ground that
when it is old we will treat it more kindly.
Melville says it is a sin to die, ignoring what is to be done with the
body. "That body," he says, "has been redeemed, that body has been
appointed to a glorious condition."
Public-domain text, read in full here on John Shaqi.
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