Businesswomen -- Fiction; Feminist fiction; Women -- Employment -- Fiction; Women household employees -- Fiction
“O yes--I forget. Of course we can't.”
His hand stole out to take hers. “I _am_ sorry, dear. It's awfully rough
on you women out here. How do they all stand it?”
“Most of them stand it much better than I do, Ned. You see they don't
want to be doing anything else.”
“Yes. That's the mischief of it!” he agreed; and she looked at him in
the clear moonlight, wondering exactly what he thought the mischief was.
“Shall we go in and read a bit?” he offered; but she thought not.
“I'm too tired, I'm afraid. And Eddie'll wake up as soon as we begin.”
So they sat awhile enjoying the soft silence, and the rich flower scents
about them, till Eddie did wake presently, and Isabel went upstairs.
She slept little that night, lying quite still, listening to her
husband's regular breathing so near her, and the lighter sound from the
crib. “I am a very happy woman,” she told herself resolutely; but there
was no outpouring sense of love and joy. She knew she was happy, but by
no means felt it. So she stared at the moon shadows and thought it over.
She had planned the little house herself, with such love, such hope,
such tender happy care! Not her first work, which won high praise in the
school in Paris, not the prize-winning plan for the library, now gracing
Orchardina's prettiest square, was as dear to her as this most womanly
task--the making of a home.
It was the library success which brought her here, fresh from her
foreign studies, and Orchardina accepted with western cordiality the
youth and beauty of the young architect, though a bit surprised at first
that “I. H. Wright” was an Isabel. In her further work of overseeing
the construction of that library, she had met Edgar Porne, one of
the numerous eager young real estate men of that region, who showed a
liberal enthusiasm for the general capacity of women in the professions,
and a much warmer feeling for the personal attractions of this one.
Together they chose the lot on pepper-shaded Inez Avenue; together they
watched the rising of the concrete walls and planned the garden walks
and seats, and the tiny precious pool in the far corner. He was so
sympathetic! so admiring! He took as much pride in the big “drawing
room” on the third floor as she did herself. “Architecture is such fine
work to do at home!” they had both agreed. “Here you have your north
light--your big table--plenty of room for work! You will grow famouser
and famouser,” he had lovingly insisted. And she had answered, “I fear I
shall be too contented, dear, to want to be famous.”
Public-domain text, read in full here on John Shaqi.
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