But there _was_ an early attempt made, in the rich society of Ionia, to clothe thought in an artistic form without the shackles of metre, and that was the writing of the philosopher Heracleitus. I will speak of his great and pregnant theory hereafter; what concerns us now is that his obscure aphorisms were intended to strike the reader by their form, as well as their matter. He had apparently a single predecessor in Pherecydes of Syros. The subjugation of Ionia by the Persians, and especially the fall of Miletus, seem to have put an end to this early picturesque writing and thinking until it woke up as the scientific vehicle of the Greek school of Hippocrates, the Father of Medicine. It was in the opposite extreme of the Greek world, the far west, peopled mainly not by Ionians but by Dorians, that literary prose made a new beginning, which no political changes were able to crush, till all Greece fell under foreign domination. The first of these attempts was the composition, at Syracuse, of a treatise teaching citizens how to plead their cases in court. It was a time when revolutions in the state and consequent changes of property, arising from confiscations and exiles, often reversed by a turn of the wheel of fortune, made it vital for every plaintiff or defendant to be able to prove his case to a jury by persuasion. This school, though Doric in origin, passed to Attica, bred there a school of famous pleaders, from Antiphon to Demosthenes, who paid the closest attention to the form of their speeches, and so perfected the eloquence of the bar for all time. In strong contrast to this school was the eloquence of display, referred to Gorgias as its earliest master, which made elegant composition and splendid delivery an end in itself, and, in the hands of the educators called Sophists, often chose a contemptible or repulsive subject in order to show how even the most trivial cause was capable of glorification by art, just as Teniers makes the pothouse and its drunken boors fit to take their place among the treasures that decorate a great mansion. In these widely contrasted pursuits of careful speaking, there were several points in common. In both, the subject was either ephemeral or might be trivial; it was the _treatment_ which was the great point of interest and which gave rise to theories and systems. In neither was it the intention to instruct or improve the hearer. In the one, to effect persuasion for the moment, in the other to gain admiration for the moment, was the object of the speaker. In both also, though most carefully composed, was the written word wholly subordinate to the spoken sound. When these studies first arose, there was as yet no reading public, no gathering of books, and studying them at home; but a public vastly fond of talking, and of hearing brilliant talk.