What I Remember, Volume 2Trollope, Thomas Adolphus
History
What I Remember, Volume 2
Trollope, Thomas Adolphus
Authors, English -- 19th century -- Biography; Trollope, Thomas Adolphus, 1810-1892
"The dear object of girlish ambition was the same to both; but the
simplicity of the little _paysanne_ showed itself in the utter absence
of any wish to conceal her anxiety upon the subject. Though delighted
with our compliments on her appearance, our presence by no means
prevented her from springing upon a chair every other minute to obtain
fuller view of the _tout ensemble_ of her figure. Again and again the
modest kerchief was arranged and rearranged to show a hair's breadth
more or a hair's breadth less of her brown but round and taper throat.
Repeatedly, before it could be finally adjusted to her satisfaction,
was the delicate fabric of her _coiffure_ moved with cautious care and
dainty touch a _leetle_ backwarder or a _leetle_ forwarder over her
sun-browned brow.
"Many were the pokings and pinchings of frock and apron, the
smoothings down before and twitchings down behind of the not less
anxious mother. Often did she retreat to examine more correctly the
general effect of the _coup d'oeil_, and as often return to rectify
some injudicious pin or remodel some rebellious fold. When all was at
length completed, and the well-pleased parent had received from the
servants, called in for the express purpose, the expected tribute of
admiration, the little beauty took _L'Imitation de la Vierge_ in her
hand, and tripped across to a convent of _Soeurs Grises_ on the other
side of the way to receive their last instructions and admonitions
respecting her behaviour when she should be presented to the bishop,
while her mother screamed after her not to forget to pull up her frock
when she kneeled down.
"All the time employed in this little revision of the toilet had not
been left unimproved by my companion, who at the end of it produced
and showed to the proud mother an admirable full-length sketch of her
pretty darling. The delighted astonishment of the poor woman, and her
accent, as she exclaimed, '_O, si c'était pour moi_!' and then blushed
to the temples at what she had said, were irresistible, and the
good-natured artist was fain to make her a present of the drawing."
Public-domain text, read in full here on John Shaqi.
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