What I Remember, Volume 2Trollope, Thomas Adolphus
History
What I Remember, Volume 2
Trollope, Thomas Adolphus
Authors, English -- 19th century -- Biography; Trollope, Thomas Adolphus, 1810-1892
Nothing could be more enjoyable than the evenings passed by the
_partie carrée_ consisting of herself and Lewes, and my wife and
myself. I am afflicted by hardness of hearing, which shuts me out from
many of the pleasures of society. And George Eliot had that excellency
in woman, a low voice. Yet, partly no doubt by dint of an exertion
which her kindness prompted, but in great measure from the perfection
of her dainty articulation, I was able to hear her more perfectly than
I generally hear anybody. One evening Mr. and Mrs. Du Maurier joined
us. The Lewes's had a great regard for Mr. Du Maurier, and spoke to us
in a most feeling way of the danger which had then recently threatened
the eyesight of that admirable artist. We had music; and Mr. Du
Maurier sang a drinking song, accompanying himself on the piano.
George Eliot had specially asked for this song, saying, I remember, "A
good drinking song is the only form of intemperance I admire!"
I think also that Lewes seemed in higher spirits than when I had
been with him at Florence. But this was no more than an additional
testimony to the fact that _she_ was happier.
She also was, I take it, in better health, for we had some most
delightful walks over the exceptionally beautiful country in the
neighbourhood of their house, to a greater extent than she would, I
think, have been capable of at Florence.
One day we made a most memorable excursion to visit Tennyson at Black
Down. It was the first time I had ever seen him. He walked with us
round his garden, and to a point finely overlooking the country below,
charmingly varied by cultivated land, meadow and woodland. It was
a magnificent day; but as I looked over the landscape I thought I
understood why the woods, which one looks down on from a similar
Italian height, are called _macchie_--stains, whereas our ordinarily
more picturesque language knows no such term and no such image. In
looking over a wide-spread Italian landscape one is struck by the
accuracy and picturesque truth of the image; but it needs the sun and
the light and the atmosphere of Italy to produce the contrast of light
and shade which justifies the phrase.
Our friends were evidently _personae gratae_ at the court of the
Laureate; and after our walk he gave us the exquisite treat of reading
to us the just completed manuscript of _Rizpah_. And how he read it!
Everybody thinks that he has been impressed by that wonderful poem to
the full extent of the effect that it is capable of producing. They
would be astonished at the increase of weird terror which thrills the
hearer of the poet's own recital of it.
Public-domain text, read in full here on John Shaqi.
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