"Proudhon, whoever addresses him, is always ready; he quits the page of the book on which he is at work to answer you with the same pen, and that without losing patience, without getting confused, without sparing or complaining of his ink; he is a public man, devoted to the propagation of his idea by all methods, and the best method, with him, is always the present one, the latest one. His very handwriting, bold, uniform, legible, even in the most tiresome passages, betrays no haste, no hurry to finish. Each line is accurate: nothing is left to chance; the punctuation, very correct and a little emphatic and decided, indicates with precision and delicate distinction all the links in the chain of his argument. He is devoted entirely to you, to his business and yours, while writing to you, and never to anything else. All the letters of his which I have seen are serious: not one is commonplace. "But at the same time he is not at all artistic or affected; he does not CONSTRUCT his letters, he does not revise them, he spends no time in reading them over; we have a first draught, excellent and clear, a jet from the fountain-head, but that is all. The new arguments, which he discovers in support of his ideas and which opposition suggests to him, are an agreeable surprise, and shed a light which we should vainly search for even in his works. His correspondence differs essentially from his books, in that it gives you no uneasiness; it places you in the very heart of the man, explains him to you, and leaves you with an impression of moral esteem and almost of intellectual security. We feel his sincerity. I know of no one to whom he can be more fitly compared in this respect than George Sand, whose correspondence is large, and at the same time full of sincerity. His role and his nature correspond. If he is writing to a young man who unbosoms himself to him in sceptical anxiety, to a young woman who asks him to decide delicate questions of conduct for her, his letter takes the form of a short moral essay, of a father-confessor's advice. Has he perchance attended the theatre (a rare thing for him) to witness one of Ponsart's comedies, or a drama of Charles Edmond's, he feels bound to give an account of his impressions to the friend to whom he is indebted for this pleasure, and his letter becomes a literary and philosophical criticism, full of sense, and like no other. His familiarity is suited to his correspondent; he affects no rudeness. The terms of civility or affection which he employs towards his correspondents are sober, measured, appropriate to each, and honest in their simplicity and cordiality. When he speaks of morals and the family, he seems at times like the patriarchs of the Bible. His command of language is complete, and he never fails to avail himself of it. Now and then a coarse word, a few personalities, too bitter and quite unjust or injurious, will have to be suppressed in printing; time, however, as