Bureaucracy -- Fiction; England -- Fiction; Satire; Science fiction
The carriage was full of men and women going to their places of
business. There were tired young men, lame young men, pale and scarred
young men, brown and fit young men, bored and _blasé_ young men, jolly
and amused young men, and nearly all, however brown or fit or pale or
languid or jolly or bored, bore a peculiar and unmistakable impress
stamped, faintly or deeply, on their faces, their eyes, their carriage,
the set of their shoulders.
There were, among the business men and girls, women going shopping,
impassive, without newspapers, gazing at the clothes of others, taking
in their cost, their cut, their colour. This is an engrossing
occupation. Those who practise it sit quite still, without a stir, a
twinkle, a yawn, or a paper, and merely look, all over, up and down,
from shoes to hat.... They are a strange and wonderful race of beings,
these gazing women; one cannot see into their minds, or beyond their
roving eyes. They bear less than any other section of the community the
stamp of public events. The representatives of the type in the Bakerloo
this morning did not carry any apparent impress of the Great War. It
would take something more than a great war, something more even than a
food crisis, to leave its mark on these sphinx-like and immobile
countenances. Kingdoms may rise and fall, nations may reel in the
death-grapple, but they sit gazing still, and their minds, amid the
rocking chaos, may be imagined to be framing some such thoughts as
these: "Those are nice shoes. I wonder if they're the ones Swan and
Edgar have at 30s. She's trimmed her hat herself, and not well. That
skirt is last year's shape. That's a smart coat. Dear me, what
stockings; you'd think anyone would be ashamed."
These women had not the air of reckless anticipation, of being alert for
any happening, however queer, that, in differing degrees, marked the
majority of people in these days. For that, in many, seemed the
prevailing note; a series of events so surprising as to kill surprise,
of disasters so appalling as to numb horror, had come and gone, leaving
behind them this reckless touch, and with it a kind of greed, a
determination to snatch whatever might be from life before it tumbled
again into chaos. They had not been devoid of lessons in what moralists
call Making the Best of It, those staggering years when everything had
fallen and fallen, successively and simultaneously, civilisation, and
governments, and hopes, and crowns, and nations, and soldiers, and rain,
and tears, and bombs, and buildings, only not prices, or newspapers.
For, if everything had so fallen once, it might even now be riding for a
fall again (in spite of the League of Nations and other devices for
propping up the unsteady framework of a lasting peace). The thing was to
get what one could first. The thing, in the opinion of one traveller in
that train, was to wear cap and bells, to dance through life to a barrel
organ, to defeat a foolish universe with its own weapons.
Public-domain text, read in full here on John Shaqi.
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