In the early days of stamps most countries made their own and they were, in some degree, an indication of the artistic progress, or want of it, in a country. But we have changed all that and to-day all effort seems to be directed toward producing artistic and attractive stamps. Sometimes this is due to national pride and occasionally it is intended to draw attention to the resources and natural wonders of a country. As an example of the latter, here are the marvelous pink terraces of New Zealand, which were, unfortunately, destroyed by volcanic disturbances a few years ago. But too often, we fear, these picture stamps are produced merely with a view to their ready salability to collectors. More frequently than not, these brilliant labels are the product of a distant country and are no longer indicative of the artistic status of the country by which they are issued. For example, a late issue from the Tonga islands but made in London. Indeed, the wilds of Africa, the distant islands of the Pacific and the tumultuous republics of Central America far outshine the cultured countries of the old world in their postal stationery. The designs of stamps may suggest many things: the power of nations, the march of history, the glory of victory, the advance of civilization, art, industry, natural resources, scenic grandure, the dead and storied past, the living breathing present. The majority of stamps bear a portrait, usually that of a sovereign. The stamps of our own country present a portrait gallery of our great and heroic dead, for by law the faces of the living may not appear on our stamps or money. This is the reverse of the rule in monarchical countries, where the portrait of the reigning sovereign usually adorns the postal issues. The likeness most frequently seen on postage stamps is that of her most gracious Majesty the Queen of England. For more than half a century her portrait has adorned the numerous stamps of Great Britain and the British Colonies, beginning in 1840 with a beautiful portrait--painted by an American, we may be proud to say--the portrait of the girl queen, wearing her coronation crown, and continuing, until to-day she wears a widow's veil beneath the crown of the Empress of India. In the issue by which Canada commemorated the sixtieth year of Her Majesty's reign the two portraits are happily combined. [Illustration: Stamp, "Canada Postage", 1837-1897, 1/2 cent] [Illustration: Stamp, "Haiti", 1 cent] [Illustration: Stamp, "Tonga", 2 d.] [Illustration: Stamp, "Samoa Postage", 21/2 pence] [Illustration: Stamp, Siam] [Illustration: Stamp, "Republic Liberia Postage", 1884-1892, 8 cents] [Illustration: Stamp, "Holkar State Postage", 1/2 Anna]