Produced by Charles Aldarondo, Charles Franks and the
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WHAT'S BRED IN THE BONE.
L1000 PRIZE NOVEL.
By GRANT ALLEN
CONTENTS.
CHAPTER
I. ELMA'S STRANGER
II. TWO'S COMPANY
III. CYRIL WARING'S BROTHER
IV. INSIDE THE TUNNEL
V. GRATITUDE
VI. TWO STRANGE MEETINGS
VII. KELMSCOTT OF TILGATE
VIII. ELMA BREAKS OUT
IX. AND AFTER?
X. COLONEL KELMSCOTT'S REPENTANCE
XI. A FAMILY JAR
XII. IN SILENCE AND TEARS
XIII. BUSINESS FIRST
XIV. MUSIC HATH POWER
XV. THE PATH OF DUTY
XVI. STRUGGLE AND VICTORY
XVII. VISIONS OF WEALTH
XVIII. GENTLE WOOER
XIX. SELF OR BEARER
XX. MONTAGUE NEVITT FINESSES
XXI. COLONEL KELMSCOTT'S PUNISHMENT
XXII. CROSS PURPOSES
XXIII. GUY IN LUCK
XXIV. A SLIGHT MISUNDERSTANDING
XXV. LEAD TRUMPS
XXVI. A CHANCE MEETING
XXVII. SOMETHING TO THEIR ADVANTAGE
XXVIII. MISTAKEN IDENTITY
XXIX. WOMAN'S INTUITION
XXX. FRESH DISCOVERIES
XXXI. "GOLDEN JOYS"
XXXII. A NEW DEPARTURE
XXXIII. TIME FLIES
XXXIV. A STROKE FOR FREEDOM
XXXV. PERILS BY THE WAY
XXXVI. DESERTED
XXXVII. AUX ARMES!
XXXVIII. NEWS FROM THE CAPE
XXXIX. A GLEAM OF LIGHT
XL. THE BOLT FALLS
XLI. WHAT JUDGE?
XLII. UNEXPECTED EVIDENCE
XLIII. SIR GILBERT'S TEMPTATION
XLIV. AT BAY
XLV. ALL'S WELL THAT ENDS WELL
CHAPTER I.
ELMA'S STRANGER.
It was late when Elma reached the station. Her pony had jibbed on
the way downhill, and the train was just on the point of moving
off as she hurried upon the platform. Old Matthews, the stout and
chubby-cheeked station-master, seized her most unceremoniously by
the left arm, and bundled her into a carriage. He had known her
from a child, so he could venture upon such liberties.
"Second class, miss? Yes, miss. Here y'are. Look sharp, please.
Any more goin' on? All right, Tom! Go ahead there!" And lifting his
left hand, he whistled a shrill signal to the guard to start her.
As for Elma, somewhat hot in the face with the wild rush for her
ticket, and grasping her uncounted change, pence and all, in her
little gloved hand, she found herself thrust, hap-hazard, at the
very last moment, into the last compartment of the last
carriage--alone--with an artist.
Public-domain text, read in full here on John Shaqi.
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