There was something so comically alarmed in the ring of his tone--as
of a naughty schoolboy detected in a piece of mischief--that,
propriety to the contrary notwithstanding, Elma couldn't for the
life of her repress a smile. She looked down at the seat where the
stranger pointed, and there, sure enough, coiled up in huge folds,
with his glossy head in attitude to spring at her, a great banded
snake lay alert and open-eyed.
"Dear me," Elma cried, drawing back a little in surprise, but not
at all in horror, as she felt she ought to do. "A snake! How curious!
I hope he's not dangerous."
"Not at all," the young man answered, still in the same half-guilty
tone of voice as before. "He's of a poisonous kind, you know; but
his fangs have been extracted. He won't do you any injury. He's
perfectly harmless. Aren't you, Sardanapalus? Eh, eh, my beauty?
But I oughtn't to have let him loose in the carriage, of course,"
he added, after a short pause. "It's calculated to alarm a nervous
passenger. Only I thought I was alone, and nobody would come in;
so I let him out for a bit of a run between the stations. It's so
dull for him, poor fellow, being shut up in his box all the time
when he's travelling."
Elma looked down at the beautiful glossy creature with genuine
admiration. His skin was like enamel; his banded scales shone bright
and silvery. She didn't know why, but somehow she felt she wasn't
in the least afraid of him. "I suppose one ought to be repelled at
once by a snake," she said, taking the opposite seat, and keeping
her glance fixed firmly upon the reptile's eye; "but then, this is
such a handsome one! I can't say why, but I don't feel afraid of
him at all as I ought, to do. Every right-minded person detests
snakes, don't they? And yet, how exquisitely flexible and beautiful
he is! Oh, pray don't put him back in his box for me. He's basking
in the sun here. I should be sorry to disturb him."
Cyril Waring looked at her in considerable surprise. He caught
the creature in his hands as he spoke, and transferred it at once
to a tin box, with a perforated lid, that lay beside him. "Go
back, Sardanapalus," he said, in a very musical and pleasant voice,
forcing the huge beast into the lair with gentle but masterful
hands. "Go back, and go to sleep, sir. It's time for your nap. ...
Oh no, I couldn't think of letting him out any more in the carriage
to the annoyance of others. I'm ashamed enough as it is of having
unintentionally alarmed you. But you came in so unexpectedly, you
see, I hadn't time to put my queer pet away; and, when the door
opened, I was afraid he might slip out, or get under the seats, so
all I could do was just to soothe him with my hand, and keep him
quiet till the door was shut to again."
Public-domain text, read in full here on John Shaqi.
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