To both Elma and her mother this meeting between Colonel Kelmscott
and Guy Waring was full of mystery. For the Kelmscotts, of Tilgate
Park, were the oldest county family in all that part of Surrey;
and Colonel Kelmscott himself passed as the proudest man of that
haughtiest house in Southern England. What, therefore, could have
made him give so curious and almost imperceptible a start the
moment Guy Waring's name was mentioned in conversation? Not a word
that he said, to be sure, implied to Guy himself the depth of his
surprise; but Elma, with her marvellous insight, could see at once,
for all that, by the very haze in his eyes, that he was fascinated
by Guy's personality, somewhat as she herself had been fascinated
the other day in the train by Sardanapalus. Nay, more; he seemed
to wish, with all his heart, to leave the young man's presence, and
yet to be glued to the spot, in spite of himself, by some strange
compulsion.
It was with a dreamy, far-away tone in his voice that the Colonel
uttered those seemingly simple words, "And is your brother here,
too, this afternoon, Mr. Waring?"
"Yes, he's somewhere about," Guy answered carelessly. "He'll turn
up by-and-by, no doubt. He's pretty sure to find out, sooner or
later, Miss Clifford's here, and then he'll come round this way to
speak to her."
For some time they stood talking in a little group by the bench,
Colonel Kelmscott meanwhile thawing by degrees and growing gradually
interested in what Guy had to say, while Elma looked on with a
devouring curiosity.
"Your brother's a painter, you say," the Colonel murmured once
under that heavy white moustache of his; "yes, I think I remember.
A rising painter. Had a capital landscape in the Grosvenor last
year, I recollect, and another in the Academy this spring, if
I don't mistake--skied--skied, unfairly; yet a very pretty thing,
too; 'At the Home of the Curlews.'"
"He's painting a sweet one now," Elma put in quickly, "down here,
close by, in Chetwood Forest. He told me about it; it must be
simply lovely--all fern and mosses, with, oh! such a beautiful big
snake in the foreground."
"I should like to see it," Colonel Kelmscott said slowly, not without
a pang. "If it's painted in the forest--and by your brother, Mr.
Waring--that would give it, to me, a certain personal value." He
paused a moment; then he added, in a little explanatory undertone,
"I'm lord of the manor, you know, at Chetwood; and I shoot the
forest."
"Cyril would be delighted to let you see the piece when it's finished,"
Guy answered lightly. "If you're ever up in town our way--we've rooms
in Staple Inn. I dare say you know it--that quaint, old-fashioned
looking place, with big lattice windows, that overhangs Holborn."
Colonel Kelmscott started, and drew himself up still taller and
stiffer than before.
Public-domain text, read in full here on John Shaqi.
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