The stalking of the stag was the passion of the highlander in that part of the country. He cared little for shooting the grouse, black or red, and almost despised those whose ambition was a full bag of such game; he dreamed day and night of killing deer. The chief, however, was in this matter more of a man without being less of a highlander. He loved the deer so much, saw them so much a part of the glory of mountain and sky, sunshine and storm, that he liked to see them living, not dead, and only now and then shot one, when the family had need of it. He felt himself indeed almost the father of the deer as well as of his clan, and mourned greatly that he could do so little now, from the limited range of his property, to protect them. His love for live creatures was not quite equal to that of St. Francis, for he had not conceived the thought of turning wolf or fox from the error of his ways; but even the creatures that preyed upon others he killed only from a sense of duty, and with no pleasure in their death. The heartlessness of the common type of sportsman was loathsome to him. When there was not much doing on the farm, he would sometimes be out all night with his gun, it is true, but he would seldom fire it, and then only at some beast of prey; on the hill-side or in the valley he would lie watching the ways and doings of the many creatures that roam the night--each with its object, each with its reasons, each with its fitting of means to ends. One of the grounds of his dislike to the new possessors of the old land was the raid he feared upon the wild animals. The laird gone, I will take my reader into the PARLOUR, as they called in English their one sitting-room. Shall I first tell him what the room was like, or first describe the two persons in it? Led up to a picture, I certainly should not look first at the frame; but a description is a process of painting rather than a picture; and when you cannot see the thing in one, but must take each part by itself, and in your mind get it into relation with the rest, there is an advantage, I think, in having a notion of the frame first. For one thing, you cannot see the persons without imagining their surroundings, and if those should be unfittingly imagined, they interfere with the truth of the persons, and you may not be able to get them right after.