Christian fiction; Highlands (Scotland) -- Fiction
The one window of the parlour, though not large, was of tolerable
size; but little light entered, so shaded was it with a rose-tree in
a pot on the sill. By the wall opposite was a couch, and on the
couch lay Ian with a book in his hand--a book in a strange language.
His mother and he would sometimes be a whole morning together and
exchange no more than a word or two, though many a look and smile.
It seemed enough for each to be in the other's company. There was a
quite peculiar hond between the two. Like so many of the young men
of that country, Ian had been intended for the army; but there was
in him this much of the spirit of the eagle he resembled, that he
passionately loved freedom, and had almost a gypsy's delight in
wandering. When he left college, he became tutor in a Russian family
of distinction, and after that accepted a commission in the
household troops of the Czar. But wherever he went, he seemed, as he
said once to his mother, almost physically aware of a line
stretching between him and her, which seemed to vibrate when he grew
anxious about her. The bond between him and his brother was equally
strong, but in feeling different. Between him and Alister it was a
cable; between him and his mother a harpstring; in the one case it
was a muscle, in the other a nerve. The one retained, the other drew
him. Given to roaming as he was, again and again he returned, from
pure love-longing, to what he always felt as the PROTECTION of his
mother. It was protection indeed he often had sought--protection
from his own glooms, which nothing but her love seemed able to
tenuate.
He was tall--if an inch above six feet be tall, but not of his
brother's fine proportion. He was thin, with long slender fingers
and feet like his mother's. His small, strong bones were covered
with little more than hard muscle, but every motion of limb or body
was grace. At times, when lost in thought and unconscious of
movement, an observer might have imagined him in conversation with
some one unseen, towards whom he was carrying himself with courtesy:
plain it was that courtesy with him was not a graft upon the finest
stock, but an essential element. His forehead was rather low,
freckled, and crowned with hair of a foxy red; his eyes were of the
glass-gray or green loved of our elder poets; his nose was a very
eagle in itself--large and fine. He more resembled the mask of the
dead Shakspere than any other I have met, only in him the
proportions were a little exaggerated; his nose was a little too
large, and his mouth a little too small for the mask; but the
mingled sweetness and strength in the curves of the latter prevented
the impression of weakness generally given by the association of
such a nose and such a mouth. On his short upper lip was a small
light moustache, and on his face not a hair more. In rest his
countenance wore a great calmness, but a calmness that might seem
rooted in sadness.
Public-domain text, read in full here on John Shaqi.
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