Christian fiction; Highlands (Scotland) -- Fiction
The room, then, was about fifteen feet by twelve, and the ceiling
was low. On the white walls hung a few frames, of which two or three
contained water-colours--not very good, but not displeasing; several
held miniature portraits--mostly in red coats, and one or two a
silhouette. Opposite the door hung a target of hide, round, and
bossed with brass. Alister had come upon it in the house, covering a
meal-barrel, to which service it had probably been put in aid of its
eluding a search for arms after the battle of Culloden. Never more
to cover man's food from mice, or his person from an enemy, it was
raised to the WALHALLA of the parlour. Under it rested, horizontally
upon two nails, the sword of the chief--a long and broad ANDREW
FERRARA, with a plated basket-hilt; beside it hung a dirk--longer
than usual, and fine in form, with a carved hilt in the shape of an
eagle's head and neck, and its sheath, whose leather was dry and
flaky with age, heavily mounted in silver. Below these was a
card-table of marquetry with spindle-legs, and on it a work-box of
ivory, inlaid with silver and ebony. In the corner stood a harp, an
Erard, golden and gracious, not a string of it broken. In the middle
of the room was a small square table, covered with a green cloth. An
old-fashioned easy chair stood by the chimney; and one sat in it
whom to see was to forget her surroundings.
In middle age she is still beautiful, with the rare beauty that
shines from the root of the being. Her hair is of the darkest brown,
almost black; her eyes are very dark, and her skin is very fair,
though the soft bloom, as of reflected sunset, is gone from her
cheek, and her hair shows lines of keen silver. Her features are
fine, clear, and regular--the chin a little strong perhaps, not for
the size, but the fineness of the rest; her form is that of a
younger woman; her hand and foot are long and delicate. A more
refined and courteous presence could not have been found in the
island. The dignity of her carriage nowise marred its grace, or
betrayed the least consciousness; she looked dignified because she
was dignified. That form of falsehood which consists in assuming the
look of what one fain would be, was, as much as any other,
impossible to Isobel Macruadh. She wore no cap; her hair was
gathered in a large knot near the top of her head. Her gown was of a
dark print; she had no ornament except a ring with a single ruby.
She was working a bit of net into lace.
She could speak Gaelic as well as any in the glen--perhaps better;
but to her sons she always spoke English. To them indeed English was
their mother-tongue, in the sense that English only came addressed
to themselves from her lips. There were, she said, plenty to teach
them Gaelic; she must see to their English.
Public-domain text, read in full here on John Shaqi.
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