What's What in AmericaBrewster, Eugene V. (Eugene Valentine)
History
What's What in America
Brewster, Eugene V. (Eugene Valentine)
United States -- Civilization; United States -- Social life and customs
Innumerable tricks are done by means of cans and other vessels
containing false bottoms, or several compartments, and every stage where
magicians perform contains various trap doors in the floor, mirrors, and
other illusions. A modern scheme is to have two rows of blinding lights,
before a black background, so that the audience cannot see the
machinery. By this contrivance, figures on the stage are made to float
in the air, and to do all kinds of apparently impossible things. One
familiar performance has a man at a piano rise in air and revolve
rapidly, all in full view--apparently--of the audience, and another
makes a lady dance in midair, and take gigantic strides at enormous
speed. These tricks are done by means of machinery, concealed from view
by optical illusions, the lady having an iron belt about her waist which
connects with the hidden machinery in the rear.
Another familiar trick is the appearance and disappearance of a person
into or from a box, basket, coffin, and so on, also in full view of the
audience. It will usually be observed that these are placed near to the
back curtain, where it is easy for a person to enter or exit through a
secret opening, but sometimes it is done through a trapdoor in the
floor. Once I had the pleasure of assisting Hermann the Great at
"Hermann's Theatre" on Broadway, since burned down. I went to his
dressing room before the performance, and he gave me a tiny rabbit which
I concealed in my ulster pocket, and at the same time several other
confederates were given "props," such as silk hats, in which omelets
were afterwards made, and handkerchiefs with red moons in the center,
and red handkerchiefs with white moons, which were afterwards used in
the performance by Hermann who cut a circle out of the middle of a white
handkerchief and one from a red handkerchief, and afterwards produced
out of the audience the handkerchiefs aforesaid, much to the wonderment
of the audience. The rabbit I held was the counterpart of another which
Hermann shot from a pistol on the stage, and which was afterwards found
in my pocket, much to my apparent chagrin.
Public-domain text, read in full here on John Shaqi.
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