What was the Gunpowder Plot? The Traditional Story Tested by Original EvidenceGerard, John
History
What was the Gunpowder Plot? The Traditional Story Tested by Original Evidence
Gerard, John
Gunpowder Plot, 1605
When, however, I turned to the sources whence our knowledge of the
transaction is derived, and in particular to the original documents upon
which it is ultimately based, I was startled to find how grave were the
doubts and difficulties which suggested themselves at every turn, while,
though slowly and gradually, yet with ever gathering force, the
conviction forced itself upon me, that, not merely in its details is the
traditional story unworthy of credit, but that all the evidence points
to a conclusion fundamentally at variance with it. Nothing contributed
so powerfully to this conviction as to find that every fresh line of
reasoning or channel of information which could be discovered inevitably
tended, in one way or another, towards the same result. In the following
pages are presented to the reader the principal arguments which have
wrought this change of view in my own mind.[2]
I cannot pretend to furnish any full or wholly satisfactory answer to
the question which stands upon the title-page. The real history of the
Plot in all its stages we shall, in all probability, never know. If,
however, we cannot satisfy ourselves of the truth, it will be much to
ascertain what is false; to convince ourselves that the account of the
matter officially supplied, and almost universally accepted, is
obviously untrue, and that the balance of probability lies heavily
against those who invented it, as having been the real plotters,
devising and working the scheme for their own ends.
Neither have I any wish to ignore, or to extenuate, the objections which
militate against such a conclusion, objections arising from
considerations of a general character, rather than from any positive
evidence. Why, it may reasonably be asked, if the government of the day
were ready to go so far as is alleged, did they not go further? Why,
being supremely anxious to incriminate the priests, did they not
fabricate unequivocal evidence against them, instead of satisfying
themselves with what appears to us far from conclusive? Why did they
encumber their tale with incidents, which, if they did not really occur,
could serve only to damage it, inasmuch as we, at this distance of
time, can argue that they are impossible and absurd? How is it,
moreover, that the absurdity was not patent to contemporaries, and was
not urged by those who had every reason to mislike and mistrust the
party in power?
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