What Was the Religion of Shakespeare? — John Shaqi
What Was the Religion of Shakespeare?Mangasarian, M. M. (Mangasar Mugurditch)
Religion
What Was the Religion of Shakespeare?
Mangasarian, M. M. (Mangasar Mugurditch)
Religion in literature
Nothing is so certain and so effective in Shakespeare as his criticism
of the ways of Providence. When Othello, for instance, awakens to a
sense of his irreparable loss--when the pity of Desdemona's death, like
the incoming tide of the sea, sweeps over him and takes his breath away,
he gasps out these significant words with his eyes searching the abysses
of space over his head: "Methinks there should now be a huge eclipse of
sun and moon, and the affrighted earth should yawn at altercation." He
can not understand how "any God" could look down with unmoistened eyes
upon such a tragedy. What does God do with his powers if he will not
interfere to save men such as Othello from committing ignorantly so
heinous a crime? Again he stammers out, "Are there no stones in heaven
but what serve for the thunder?" Is God only a spectacular being? Is all
he can do to thunder in the clouds and dazzle with his lightning? Where
is the God of help? Is he real? Does he exist?
To make effective this indifference or helplessness of the gods,
Shakespeare contrasts their stolid unconcern with human sympathy.
Emelia, the wife of the man who poisoned Othello's mind, breaks into a
heart-rending lamentation when she learns of the death of her innocent
mistress, which shames the silent and tearless gods:
I'll kill myself for grief,
she sobs as she sees stretched at her feet the victim of human folly and
crime. How eloquent, and how melting are these words! She does not care
to live if she can not protect innocence and virtue, beauty and goodness
against hate and envy. And this from a woman whose character was not
above reproach! How admirable is the seething passion in her human soul
compared with the dumbness of the almighty gods!
By the mouth of another frail woman Shakespeare passes the same
criticism upon the current conceptions of divine providence. When young
Juliet learns that Romeo has killed her cousin, for which rash act
he has been banished for life, thus blighting her dearest hopes, she
cries:
Can Heaven be so envious?
Later on, when her own parents persecute her and drive her to a
desperate experiment with death, and all for the purpose of wresting a
little happiness out of life, she exclaims:
Is there no pity sitting in the clouds?
Finally, when all her hopes are turned to ashes, and she realizes the
bitterness of her fate, she sobs:
"Alack, alack that Heaven should practice such stratagems upon so soft
a subject as myself."
Public-domain text, read in full here on John Shaqi.
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