What Will He Do with It? — CompleteLytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
The chairs were skilfully placed on one side of the stage, as close
as possible to the front row of the audience. The soldier ventures a
furtive glance along the lines, and then speaks to his grandchild in
whispered, bated breath: “Now they are there, what are they come for?
To beg? He can never have the boldness to exhibit an animal for
sous,--impossible; no, no, let them slink back again and sell the
cross.” And the child whispers courage; bids him look again along the
rows; those faces seem very kind. He again lifts his eyes, glances
round, and with an extemporaneous tact that completed the illusion to
which the audience were already gently lending themselves, made sundry
complimentary comments on the different faces actually before him,
selected most felicitously. The audience, taken by surprise, as some
fair female, or kindly burgess, familiar to their associations, was thus
pointed out to their applause, became heartily genial in their
cheers and laughter. And the Comedian’s face, unmoved by such
demonstrations,--so shy and sad, insinuated its pathos underneath cheer
and laugh. You now learned through the child that a dance, on which the
company had been supposed to be gazing, was concluded, and that they
would not be displeased by an interval of some other diversion. Now
was the tune! The dog, as if to convey a sense of the prevalent ennui,
yawned audibly, patted the child on the shoulder, and looked up in her
face. “A game of dominos,” whispered the little girl. The dog gleefully
grinned assent. Timidly she stole forth the old dominos, and ranged them
on the ground; on which she slipped from her chair, the dog slipped from
his; they began to play. The experiment was launched; the soldier saw
that the curiosity of the company was excited, that the show would
commence, the sons follow; and as if he at least would not openly shame
his service and his Emperor, he turned aside, slid his hand to his
breast, tore away his cross, and hid it. Scarce a murmured word
accompanied the action, the acting said all; and a noble thrill ran
through the audience. Oh, sublime art of the mime!
The Mayor sat very near where the child and dog were at play. The
Comedian had (as he before implied he would do) discreetly prepared that
gentleman for direct and personal appeal. The little girl turned her
blue eyes innocently towards Mr. Hartopp, and said, “The dog beats me,
sir; will you try what you can do?”
Public-domain text, read in full here on John Shaqi.
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