What Will He Do with It? — CompleteLytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
That which most puzzled Vance was that which had most puzzled the
Cobbler,--What could the man once have been? how fallen so low?--for
fall it was, that was clear. The painter, though not himself of
patrician extraction, had been much in the best society. He had been
a petted favourite in great houses. He had travelled. He had seen the
world. He had the habits and instincts of good society.
Now, in what the French term the _beau monde_, there are little traits
that reveal those who have entered it,--certain tricks of phrase,
certain modes of expression,--even the pronunciation of familiar words,
even the modulation of an accent. A man of the most refined bearing may
not have these peculiarities; a man, otherwise coarse and brusque in his
manner, may. The slang of the _beau monde_ is quite apart from the code
of high breeding. Now and then, something in Waife’s talk seemed to show
that he had lighted on that beau-world; now and then, that something
wholly vanished. So that Vance might have said, “He has been admitted
there, not inhabited it.”
Yet Vance could not feel sure, after all; comedians are such takes in.
But was the man, by the profession of his earlier life, a comedian?
Vance asked the question adroitly.
“You must have taken to the stage young?” said he.
“The stage!” said Waife; “if you mean the public stage, no. I have
acted pretty often in youth, even in childhood, to amuse others, never
professionally to support myself, till Mr. Rugge civilly engaged me four
years ago.”
“Is it possible,--with your excellent education! But pardon me; I have
hinted my surprise at your late vocation before, and it displeased you.”
“Displeased me!” said Waife, with an abject, depressed manner; “I hope I
said nothing that would have misbecome a poor broken vagabond like me.
I am no prince in disguise,--a good-for-nothing varlet who should be too
grateful to have something to keep himself from a dunghill.”
LIONEL.--“Don’t talk so. And but for your accident you might now be
the great attraction on the metropolitan stage. Who does not respect a
really fine actor?”
WAIFE (gloomily).--“The metropolitan stage! I was talked into it: I am
glad even of the accident that saved me; say no more of that, no more
of that. But I have spoiled your sitting. Sophy, you see, has left her
chair.”
“I have done for to-day,” said Vance; “to-morrow, and my task is ended.”
Lionel came up to Vance and whispered him; the painter, after a pause,
nodded silently, and then said to Waife,
“We are going to enjoy the fine weather on the Thames (after I have put
away these things), and shall return to our inn--not far hence--to sup,
at eight o’clock. Supper is our principal meal; we rarely spoil our days
by the ceremonial of a formal dinner. Will you do us the favour to sup
with us? Our host has a wonderful whiskey, which when raw is Glenlivat,
but refined into toddy is nectar. Bring your pipe, and let us hear John
Kemble again.”
Public-domain text, read in full here on John Shaqi.
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