What Will He Do with It? — Volume 02Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 02
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
first floor. And these playful allusions to the maternal ideas were
still not irreverent, but contrived so as rather to prepossess Darrell in
Mrs. Haughton's favour by bringing out traits of a simple natural mother,
too proud, perhaps, of her only son, not caring what she did, how she
worked, so that he might not lose caste as a born Haughton. Darrell
understood, and nodded his head approvingly. "Certainly," he said,
speaking almost for the first time, "Fame confers a rank above that of
gentlemen and of kings; and as soon as she issues her patent of nobility,
it matters not a straw whether the recipient be the son of a Bourbon or
of a tallow-chandler. But if Fame withhold her patent; if a well-born
man paint aldermen, and be not famous (and I dare say you would have been
neither a Titian nor a Holbein),--why, he might as well be a painter and
plumber, and has a better chance even of bread and cheese by standing to
his post as gentleman. Mrs. Haughton was right, and I respect her."
"Quite right. If I lived to the age of Methuselah, I could not paint a
head like Frank Vance."
"And even he is not famous yet. Never heard of him."
"He will be famous: I am sure of it; and if you lived in London, you
would hear of him even now. Oh, sir! such a portrait as he painted the
other day! But I must tell you all about it." And therewith Lionel
plunged at once, medias res, into the brief broken epic of little Sophy,
and the eccentric infirm Belisarius for whose sake she first toiled and
then begged; with what artless eloquence he brought out the colours of
the whole story,--now its humour, now its pathos; with what beautifying
sympathy he adorned the image of the little vagrant girl, with her mien
of gentlewoman and her simplicity of child; the river excursion to
Hampton Court; her still delight; how annoyed he felt when Vance seemed
ashamed of her before those fine people; the orchard scene in which he
had read Darrell's letter, that, for the time, drove her from the
foremost place in his thoughts; the return home, the parting, her wistful
look back, the visit to the Cobbler's next day; even her farewell gift,
the nursery poem, with the lines written on the fly-leaf, he had them by
heart! Darrell, the grand advocate, felt he could not have produced on a
jury, with those elements, the effect which that boy-narrator produced on
his granite self.
Public-domain text, read in full here on John Shaqi.
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