What Will He Do with It? — Volume 03Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
The chairs were skilfully placed on one side of the stage, as close as
possible to the front row of the audience. The soldier ventures a
furtive glance along the lines, and then speaks to his grandchild in
whispered, bated breath: "Now they are there, what are they come for?
To beg? He can never have the boldness to exhibit an animal for sous,--
impossible; no, no, let them slink back again and sell the cross." And
the child whispers courage; bids him look again along the rows; those
faces seem very kind. He again lifts his eyes, glances round, and with
an extemporaneous tact that completed the illusion to which the audience
were already gently lending themselves, made sundry complimentary
comments on the different faces actually before him, selected most
felicitously. The audience, taken by surprise, as some fair female, or
kindly burgess, familiar to their associations, was thus pointed out to
their applause, became heartily genial in their cheers and laughter.
And the Comedian's face, unmoved by such demonstrations,--so shy and
sad, insinuated its pathos underneath cheer and laugh. You now learned
through the child that a dance, on which the company had been supposed to
be gazing, was concluded, and that they would not be displeased by an
interval of some other diversion. Now was the tune! The dog, as if to
convey a sense of the prevalent ennui, yawned audibly, patted the child
on the shoulder, and looked up in her face. "A game of dominos,"
whispered the little girl. The dog gleefully grinned assent. Timidly
she stole forth the old dominos, and ranged them on the ground; on which
she slipped from her chair, the dog slipped from his; they began to play.
The experiment was launched; the soldier saw that the curiosity of the
company was excited, that the show would commence, the sons follow; and
as if he at least would not openly shame his service and his Emperor, he
turned aside, slid his hand to his breast, tore away his cross, and hid
it. Scarce a murmured word accompanied the action, the acting said all;
and a noble thrill ran through the audience. Oh, sublime art of the
mime!
The Mayor sat very near where the child and dog were at play. The
Comedian had (as he before implied he would do) discreetly prepared that
gentleman for direct and personal appeal. The little girl turned her
blue eyes innocently towards Mr. Hartopp, and said, "The dog beats me,
sir; will you try what you can do?"
Public-domain text, read in full here on John Shaqi.
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