What Will He Do with It? — Volume 06Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 06
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
of Law, and can stalk through a legion of tatterdemalions as a ferret may
glide through a barn full of rats. The prowler feels he is suspected.
Unknown as yet to the London police, he has no desire to invite their
scrutiny. He crosses the way; he falls back; he follows from afar. The
policeman may yet turn away before the safer streets of the metropolis be
gained. No; the cursed Incarnation of Law, with eyes in its slim back,
continues its slow strides at the heels of the unsuspicious Darrell. The
more solitary defiles are already passed,--now that dim lane, with its
dead wall on one side. By the dead wall skulks the prowler; on the other
side still walks the Law. Now--alas for the prowler!--shine out the
throughfares, no longer dim nor deserted,--Leicester Square, the
Haymarket, Pall Mall, Carlton Gardens; Darrell is at his door. The
policeman turns sharply round. There, at the corner near the learned
Club-house, halts the tatterdemalion. Towards the tatterdemalion the
policeman now advances quickly. The tatterdemalion is quicker still;
fled like a guilty thought.
Back, back, back into that maze of passages and courts, back to the mouth
of that black alley. There he halts again. Look at him. He has arrived
in London but that very night, after an absence of more than four years.
He has arrived from the sea-side on foot; see, his shoes are worn into
holes. He has not yet found a shelter for the night. He has been
directed towards that quarter, thronged with adventurers, native and
foreign, for a shelter, safe, if squalid. It is somewhere near that
court at the mouth of which he stands. He looks round: the policeman is
baffled; the coast clear. He steals forth, and pauses under the same
gaslight as that under which Guy Darrell had paused before,--under the
same gaslight, under the same stars. From some recess in his rags he
draws forth a large, distained, distended pocket-book,--last relic of
sprucer days,--leather of dainty morocco, once elaborately tooled, patent
springs, fairy lock, fit receptacle for bank-notes, /billets-doux/,
memoranda of debts of honour, or pleasurable engagements. Now how worn,
tarnished, greasy, rascallion-like, the costly bauble! Filled with what
motley, unlovable contents: stale pawn-tickets of foreign /monts de
piete/, pledges never henceforth to be redeemed; scrawls by villanous
hands in thievish hierolgyphics; ugly implements replacing the malachite
penknife, the golden toothpick, the jewelled pencil-case, once so neatly
set within their satin lappets. Ugly implements, indeed,--a file, a
gimlet, loaded dice. Pell-mell, with such more hideous and recent
contents, dishonoured evidences of gaudier summer life,--locks of ladies'
hair, love-notes treasured mechanically, not from amorous sentiment, but
perhaps from some vague idea that they might be of use if those who gave
the locks or wrote the notes should be raised in fortune, and could buy
back the memorials of shame.
Public-domain text, read in full here on John Shaqi.
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