What Will He Do with It? — Volume 06Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 06
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Vance, more and more surprised, looked hard at Lionel without speaking.
Five years of that critical age, from seventeen to twenty-two, spent in
the great capital of Europe; kept from its more dangerous vices partly
by a proud sense of personal dignity, partly by a temperament which,
regarding love as an ideal for all tender and sublime emotion, recoiled
from low profligacy as being to love what the Yahoo of the mocking
satirist was to man; absorbed much by the brooding ambition that takes
youth out of the frivolous present into the serious future, and seeking
companionship, not with contemporary idlers, but with the highest and
maturest intellects that the free commonwealth of good society brought
within his reach: five years so spent had developed a boy, nursing noble
dreams, into a man fit for noble action,--retaining freshest youth in its
enthusiasm, its elevation of sentiment, its daring, its energy, and
divine credulity in its own unexhausted resources; but borrowing from
maturity compactness and solidity of idea,--the link between speculation
and practice, the power to impress on others a sense of the superiority
which has been self-elaborated by unconscious culture.
"So!" said Vance, after a prolonged pause, "I don't know whether I have
resolve or genius; but certainly if I have made my way to some small
reputation, patience, hope, and concentration of purpose must have the
credit of it; and prudence, too, which you have forgotten to name, and
certainly don't evince as a charioteer. I hope, my dear fellow, you are
not extravagant? No doubt, eh?--why do you laugh?"
"The question is so like you, Frank,--thrifty as ever."
"Do you think I could have painted with a calm mind if I knew that at my
door there was a dun whom I could not pay? Art needs serenity; and if an
artist begin his career with as few shirts to his back as I had, he must
place economy amongst the rules of perspective."
Lionel laughed again, and made some comments on economy which were
certainly, if smart, rather flippant, and tended not only to lower the
favourable estimate of his intellectuai improvement which Vance had just
formed, but seriously disquieted the kindly artist. Vance knew the
world,--knew the peculiar temptations to which a young man in Lionel's
position would be exposed,--knew that contempt for economy belongs to
that school of Peripatetics which reserves its last lessons for finished
disciples in the sacred walks of the Queen's Bench.
However, that was no auspicious moment for didactic warnings.
"Here we are!" cried Lionel,--"Putney Bridge."
They reached the little inn by the river-side, and while dinner was
getting ready they hired a boat. Vance took the oars.
VANCE.--"Not so pretty here as by those green quiet banks along which we
glided, at moonlight, five years ago."
LIONEL.--"Ah, no! And that innocent, charming child, whose portrait you
took,--you have never heard of her since?"
VANCE.--"Never! How should I? Have you?"
Public-domain text, read in full here on John Shaqi.
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