What Will He Do with It? — Volume 09Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 09
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
"I withdraw and repent my injustice to your motives in the protection you
have given to the poor girl whom Lionel would wed; I thank you for that
protection,--though I refuse consent to my kinsman's prayer. Whatever
her birth, I must be glad to know that she whom Lionel so loves is safe
from a wretch like Losely. More--one word more--wait--it is hard for me
to say it--be happy! I cannot pardon, but I can bless you. Farewell for
ever!" More overpoweringly crushed by his tenderness than his wrath,
before Caroline could recover the vehemence of her sobs, he had ceased--
he was gone--lost in the close gloom of a neighbouring thicket, his
hurried headlong path betrayed by the rustle of mournful boughs swinging
back with their withered leaves.
CHAPTER II.
RETROSPECT.
THERE IS A PLACE AT WHICH THREE ROADS MEET, SACRED TO THAT
MYSTERIOUS GODDESS CALLED DIANA ON EARTH, LUNA, OR THE MOON, IN
HEAVEN, OR HECATE IN THE INFERNAL REGIONS. AT THIS PLACE PAUSE THE
VIRGINS PERMITTED TO TAKE THEIR CHOICE OF THE THREE ROADS. FEW GIVE
THEIR PREFERENCE TO THAT WHICH IS VOWED TO THE GODDESS IN HER NAME
OF DIANA: THAT ROAD, COLD AND BARREN, IS CLOTHED BY NO ROSES AND
MYRTLES. ROSES AND MYRTLES VEIL THE ENTRANCE TO BOTH THE OTHERS,
AND IN BOTH THE OTHERS HYMEN HAS MUCH THE SAME GAY-LOOKING TEMPLES.
BUT WHICH OF THOSE TWO LEADS TO THE CELESTIAL LUNA, OR WHICH OF THEM
CONDUCTS TO THE INFERNAL HECATE, NOT ONE NYMPH IN FIFTY DIVINES. IF
THY HEART SHOULD MISGIVE THEE, O NYMPH!--IF, THOUGH CLOUD VEIL THE
PATH TO THE MOON, AND SUNSHINE GILD THAT TO PALE HECATETHINE
INSTINCT RECOILS FROM THE SUNSHINE, WHILE THOU DAREST NOT ADVENTURE
THE CLOUD--THOU HAST STILL A CHOICE LEFT--THOU HAST STILL THE SAFE
ROAD OF DIANA. HECATE, O NYMPH, IS THE GODDESS OF GHOSTS. IF THOU
TAKEST HER PATH, LOOK NOT BACK, FOR THE GHOSTS ARE BEHIND THEE. ..
Public-domain text, read in full here on John Shaqi.
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