What Will He Do with It? — Volume 12Lytton, Edward Bulwer Lytton, Baron
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What Will He Do with It? — Volume 12
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
"Another evening we must have Fairthorn's flute," said Darrell. "What a
pity he was not here to-night!--he would have enjoyed such reading--
no one more."
Said Mrs. Morley, "He was here once or twice during the evening; but he
vanished!"
"Vanishing seems his forte," said George.
Darrell looked annoyed. It was his peculiarity to resent any jest,
however slight, against an absent friend; and at that moment his heart
was perhaps more warmed towards Dick Fairthorn than to any man living.
If he had not determined to be as amiable and mild towards his guests as
his nature would permit, probably George might have had the flip of a
sarcasm which would have tingled for a month. But as it was, Darrell
contented himself with saying gravely:
"No, George; Fairthorn's foible is vanishing; his forte is fidelity. If
my fortune were to vanish, Fairthorn would never disappear; and that's
more than I would say if I were a King, and Fairthorn--a Bishop!"
After that extraordinary figure of speech, "Good-nights" were somewhat
hastily exchanged; and Fairthorn was left; behind the curtain with
feelings towards all his master's guests as little, it is to be hoped,
like those of a Christian Bishop towards his fellow-creatures, as they
possibly could be.
CHAPTER VII.
"Domus et placens Uxor."
FAIRTHORN FINDS NOTHING /PLACENS/ IN THE /UXOR/, TO WHOM /DOMUS/ IS
INDEBTED FOR ITS DESTRUCTION.
Another day! Lionel is expected to arrive an hour or two after noon.
Darrell is in his room--his will once more before him. He has drawn up a
rough copy of the codicil by which Fawley is to pass away, and the name
of Darrell be consigned to the care of grateful Learning, linked with
prizes and fellowships;--a public property--lost for ever to private
representatives of its sepulchred bearers. Preparations for departure
from the doomed dwelling-house have begun. There are large boxes on the
floor; and favourite volumes--chiefly in science or classics--lie piled
beside them for selection.
What is really at the bottom of Guy Darrell's heart? Does he feel
reconciled to his decision? Is the virtue of his new self-sacrifice in
itself a consoling reward? Is that cordial urbanity, that cheerful
kindness, by which he has been yet more endearing himself to his guests,
sincere or assumed? As he throws aside his pen, and leans his cheek on
his hand, the expression of his countenance may perhaps best answer those
questions. It has more unmingled melancholy than was habitual to it
before, even when in his gloomiest moods; but it is a melancholy much
more soft and subdued; it is the melancholy of resignation--that of a man
who has ceased a long struggle--paid his offering to the appeased
Nemesis, in casting into the sea the thing that had been to him the
dearest.
Public-domain text, read in full here on John Shaqi.
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