THE LETTER ON WHICH RICHARD FAIRTHORN RELIED FOR THE DEFEAT OF THE CONSPIRACY AGAINST FAWLEY MANOR-HOUSE. BAD ASPECTS FOR HOUSES. THE HOUSE OF VIPONT IS THREATENED. A PHYSICIAN ATTEMPTS TO MEDICINE TO A MIND DISEASED. A STRANGE COMMUNICATION, WHICH HURRIES THE READER ONTO THE NEXT CHAPTER. It has been said that Fairthorn had committed to a certain letter his last desperate hope that something might yet save Fawley from demolition, and himself and his master from an exile's home in that smiling nook of earth to which Horace invited Septimius, as uniting the advantages of a mild climate, excellent mutton, capital wine; and affording to Septimius the prospective privilege of sprinkling a tear over the cinder of his poetical friend while the cinder was yet warm; inducements which had no charm at all to Fairthorn, who was quite satisfied with the Fawley southdowns--held in just horror all wishy-washy light wines--and had no desire to see Darrell reduced to a cinder for the pleasure of sprinkling that cinder with a tear. The letter in question was addressed to Lady Montfort. Unscrupulously violating the sacred confidence of his master, the treacherous wretch, after accusing her, in language little more consistent with the respect due to the fair sex than that which he had addressed to Sophy, of all the desolation that the perfidious nuptials of Caroline Lyndsay had brought upon Guy Darrell, declared that the least Lady Montfort could do to repair the wrongs inflicted by Caroline Lyndsay, was--not to pity his master!--that her pity was killing him. He repeated, with some grotesque comments of his own, but on the whole not inaccurately, what Darrell had said to him on the subject of her pity. He then informed her of Darrell's consent to Lionel's marriage with Sophy; in which criminal espousals it was clear, from Darrell's words, that Lady Montfort had had some nefarious share. In the most lugubrious colours he brought before her the consequences of that marriage--the extinguished name, the demolished dwelling-place, the renunciation of native soil itself. He called upon her, by all that was sacred, to contrive some means to undo the terrible mischief she had originally occasioned, and had recently helped to complete. His epistle ended by an attempt to conciliate and coax. He revived the image of that wild Caroline Lyndsay, to whom HE had never refused a favour; whose earliest sums he had assisted to cast up-- to whose young idea he had communicated the elementary principles of the musical gamut--to whom he had played on his flute, winter eve and summer noon, by the hour together; that Caroline Lyndsay, who when a mere child, had led Guy Darrell where she willed, as by a thread of silk. Ah, how Fairthorn had leapt for joy when, eighteen years ago, he had thought that Caroline Lyndsay was to be the sunshine and delight of the house to which she had lived to bring the cloud and the grief! And by all these