What will they say at Brompton? A Comedetta, in One Act.Coyne, J. Stirling (Joseph Stirling)
General
What will they say at Brompton? A Comedetta, in One Act.
Coyne, J. Stirling (Joseph Stirling)
Comedy plays; English drama -- 19th century
MRS. T. (L.) How kind of you, how very kind—but perhaps one day I may be
able to show my gratitude.
MARI. (R.) Don’t mention it. How surprised my uncle will be when he
finds you’re gone. (_putting bottle of wine and two glasses on table_—_a
whistle is heard outside_) What whistle is that? Don’t be alarmed, I’ll
go and look out.
_Exit hastily_, R. 2 E.
MRS. T. (_taking up hat from chair_ L. _of table_) What an extraordinary
hat! (_looks in it and perceives name written inside_) Good heavens!
what name is this written inside. “Samuel Todd, Brompton.” Oh, my
husband! My Samuel! Can he be here. What terrible mystery have I to
learn. (_puts hat on chair_, R. C.)
_Re-enter_ MARIETTA, _hastily_, R. 2 E.
MARI. Oh! Signora, ’tis my uncle! Conceal yourself in this room.
(_opens door_, L. 3 E.) Here—here!—make haste!—He’s on the stairs!
MRS. T. Ah! (MRS. T. _runs into the room_, L. 3 E. MARIETTA _closes the
door._)
_Then enter_ JACOPO TERREBOLI, R. 2. E.
JACO. (R. C.) The fellow has escaped us by taking another road. Hah!
Marietta—not abed yet?
MARI. (L.) Not yet, uncle; I was waiting for—
JACO. Waiting for who?
MARI. (_hesitating_) For—nobody—uncle.
JACO. Marietta, you can’t deceive me—you have had some one here.
MARI. Indeed, uncle, I have not.
JACO. (_goes to window_, _and perceives ladder of ropes_) Hah!—What’s
this? A very pretty contrivance—I suppose, when love can’t get in at the
door, he flies in at the window—and here are his wings, (_holding the
rope ladder to view_) And this hat. (_taking it off chair_, R. C.)
Pretty, innocent creature! He’s here, then.—(MARIETTA _clasps her
hands_) Humph! Surely I have seen this hat somewhere—Ha! this
morning—and it was the devil who then wore it—or an Englishman! (MARIETTA
_drops on her knees_, _crying_) Here’s the hole made by my bullet.—I’m
not angry, girl—you’ve trapped the fellow I want—get up, and tell me
where you’ve got him.
MARI. (L. C.) I c—c—r—can’t uncle—he’s gone!
JACO. (R. C.) Gone! Maladetta! Take care how you trifle with me.—(TODD
_is heard playing his concertina outside the window_, _at back_)
MARI. Hah! (_starts from her knees aside_)—’Tis that unlucky stranger!
JACO. After all, the bird has only fluttered a little way off.—(_to_
MARIETTA) Go to the balcony.
MARI. Uncle!
JACO. To the balcony! Your lover calls!
MARI. But he is not—
JACO. Silence! and obey me? (MARIETTA _goes to the balcony_, C. _The
concertina ceases playing_) Well?
MARI. (_up_ C.) He perceives me and kisses his hand.
JACO. (L. C.) Kiss your’s in return.
MARI. But, uncle—
JACO. (_sternly_) I command! (MARIETTA _kisses her hand_)
MARI. Ah! he is going to mount the ladder, (_she retires from the
window_)
Public-domain text, read in full here on John Shaqi.
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