What will they say at Brompton? A Comedetta, in One Act. — John Shaqi
What will they say at Brompton? A Comedetta, in One Act.Coyne, J. Stirling (Joseph Stirling)
General
What will they say at Brompton? A Comedetta, in One Act.
Coyne, J. Stirling (Joseph Stirling)
Comedy plays; English drama -- 19th century
TODD. My dear Laura, there’s the difference between us—you’re remarkable
for physical energy—I for contemplative repose. The study of Bradshaw
fatigues one’s mind so. (PERKS, _who has been clearing off luggage_, R.,
_gets round at back to_ L. _and takes up concertina from chair_) Mind
that concertina, Perks—it’s the only instrument I play—(_takes it from
her_, C.), and having devoted myself for six months to “My Mary Ann,” I
rather flatter myself I shall create an extraordinary sensation amongst
the foreign echoes this summer. (_he commences playing_ “_My Mary Ann_,”
_when a knock is heard_) Hah! who can this be?
PERKS _crosses at back and exits_, R. 1 E.
MRS. T. I dare say my uncle Croker—come to bid us good bye.
TODD. Your uncle, my dear, is a very worthy man. I should feel bound to
respect his venerable hairs, if he had any left to respect, but that
hydropathic habit he has—of throwing cold water upon everything—is very
disagreeable.
_Enter_ CHOKER, R. 1 E., _followed by_ PERKS, _who collects some of the
scattered articles and carries them off_, R. 1 E.
MRS. T. (_kissing_ CROKER) My dear uncle! (CROKER _crosses to_ C.)
TODD. (L. _shaking his hand_) How d’ye do, Croker? How are you? Never
saw you look so jolly in your life. (_aside_) Dismal as a cherub on a
tombstone! It was very kind of you to call; we start on our tour in the
morning, so you’re just in time to see the last of us.
CROK. ( C.) The last of you! Ah, Samuel, I hope there may be nothing
prophetic in your words, but I have a melancholy foreboding—
MRS. T. (R.) For goodness sake, uncle, don’t talk of melancholy
forebodings—when we are looking forward to the Continent.
TODD. Aye, what do you think of six months amidst the classic scenes of
Italy. Fancy smoking a cigar on the summit of Vesuvius; think of dancing
the Tarantula amidst the ruins of Pompeii; imagine the delicious
maccaroni—and the lazzaroni—and all the other oni’s. (_forgetting
himself_) Picture to yourself the indescribable rapture of floating on
the moonlit sea with a lovely creature beside you.
MRS. T. (_indignantly_) Mr. Todd!
TODD. (_recollecting himself crosses_ C. to MRS. TODD) Ah, ah, ah, ah,
ah! Of course my dear, I was thinking of you—idealizing you as it
were—in a poetic dream. (_crosses back to_ L.) By the bye, Croker, is
there anything we can do for you abroad? We expect to be in Boulogne
to-morrow night.
CROK. ( C.) Well, I don’t wish to alarm you—but I had once a dear friend
who was lost in crossing to Boulogne.
TODD. (L.) Lost! hem! dear me! But with a good steamer you’re tolerably
safe, I believe.
CROK. I’ve heard of several appalling catastrophes to steamers. Now, if
you’d like to hear a few of them. (_sits on_ L. _of table_, C.)
MRS. T. (_seated_ R. _of table_) Oh, dear, no! Don’t trouble yourself,
uncle.
Public-domain text, read in full here on John Shaqi.
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