Dr. Du Bois, in the looseness of phrase current in our time in America, is called a scholar—on what grounds we are not informed. But Dr. Du Bois is not a scholar; his claim to consideration rests upon a different basis, but one no less high. And when the Negro culture of the next century shall assay the products of our own it will seem remarkable that this supreme wizard of words, this splendid literary artist, should have left his own demesne to claim the crown of scholarship. Surely, there is honest credit enough in being what he is, our foremost man of culture. And this “Darkwater,” despite its lapses from artistic grace, helps to rivet his claim to that consideration. It is a book which will well repay reading. _The Rising Tide of Color Against White World Supremacy_ By Lothrop Stoddard About ten years ago Mr. B. L. Putnam Weale in “The Conflict of Color” tried to open the eyes of the white men of the world to the fact that they were acting as their own grave diggers. About the same time Mr. Melville E. Stone, president of the Associated Press, in an address before the Quill Club on “Race Prejudice in the Far East” reinforced the same grisly truth. Five years later “T. Shirby Hodge” wrote “The White Man’s Burden: A Satirical Forecast,” and ended it with these pregnant words: “The white man’s burden is—himself.” His publishers practically suppressed his book, which, by the way, should have been in the library of every intelligent Negro. The white world was indisposed then to listen to its voices of warning. But today the physical, economic and racial ravages of the World War have so changed the white world’s mind that within four weeks of its appearance “The Rising Tide of Color Against White World Supremacy,” by Lothrop Stoddard, has struck the bull’s-eye of attention and has already become the most widely talked-of book of the year. White men of power are discussing its facts and its conclusions with bated breath and considerable disquietude.