From far swamps the whack of axes sounded. Mr. Britt knew that men were cutting hoop poles and timber for shooks; Egypt earned ready money with which to pay interest, getting out shooks and hoop poles. That occupation had been the resource of the pioneers, and the descendants stuck to the work, knowing how to do it better than anything else. There was not enough soil for farming on a real money-making scale. The old sheep, so cynics said, were trained to hold the lambs by their tails and lower them head downward among the rocks to graze. Poor men usually own dogs. But dogs would not live long in Egypt, the cynics went on to assert; the dogs ran themselves to death hustling over the town line to find dirt enough to bury a bone. Mr. Britt could see his statue in the cemetery. Down the street was a one-story brick building, the only brick structure in the town. Set into the front of this building was a replica of the statue in the cemetery. Britt had secured special rates by ordering two statues from the stonecutter. Britt possessed vanity. He had hidden it, begrudging the cost of gratifying it. The crust of his nature, hardening through the years, had pressed upon that vanity. The statues, his refurbished beard, and his rehaired head had relieved the pressure somewhat, but the vanity was still sore. In his new mood he was dreading a blow on that sore spot. He realized what kind of a grudge he was carrying around. A vague sense of an unjust deal in life is more dangerous to the possessor than an acute and concrete knowledge of specific injury. The vagueness causes it to be correlated to insanity. Britt, putting his belated aspirations to the test, hoped that nobody would presume to hit on that sore spot. He knew that such an adventure might be dangerous for the person or persons who went up against him. He buttoned his overcoat, settled the cigar rigidly into one corner of his mouth, stared with approval at the stone image of himself in the facade of Britt Block, and walked to the edge of the porch. Across the street sat a little building above the door of which was a sign inscribed, “Usial Britt, Shoemaker.” That it was a dwelling as well as a shop was indicated when a bare and hairy arm was thrust from a side window and the refuse in a smoking iron spider was dumped upon the snow. Simultaneously it was shown that more than one person tenanted the building: a man, bareheaded, but with a shaggy mat of roached hair that served in lieu of a hat, issued from the door. The wanton luxuriance of the hair would have stirred envy in any baldheaded man; but Tasper Britt exhibited a passion that was more virulent than envy. The man who came forth was “Prophet Elias.” It was the newcomer, the religious fanatic, the exhorter against oppression of the people by usury, the fearless declaimer who named Tasper Britt in diatribe and was setting the folks by the ears.