Children -- Fiction; Fairy tales; Girls -- Fiction; Play -- Fiction
Then there was Aunt Arthur, who lived in a square brick house that
always smelled cool. At her house I invariably sat on a Brussels
“kick-about” in the bay window and looked at a big leather “Wonders
of Earth and Sea,” with illustrations. Sometimes she let me examine a
basket of shells that she herself had gathered at the beach--I used
to look at her hands and at her big, flat cameo ring and marvel that
they had been so near to the ocean. Once or twice, when I wriggled too
outrageously, she would let me go into the large, dim parlour, with
its ostrich egg hanging from the chandelier and the stuffed blackbird
under an oval glass case before the high mirror, and the coral piled
under the centre-table and the huge, gilt-framed landscape which she
herself had painted. But this day, between the lace curtains hanging
from their cornices, I caught sight of Calista and Delia racing up the
hill to the Rodmans, and the entire parlour was, so to say, poisoned.
In desperation I went back and asked for a drink of water--my ancient
recourse when things got too bad.
Aunt Barker’s was better--there was a baby there. But that day ill-luck
went before me, for he was asleep and they refused to let me look at
him, because they said that woke him up. I disbelieved this, because I
saw no reason in it, and nobody gave me a reason. I resolved to try it
out the first time I was alone with a sleeping baby. I begged boldly to
go outdoors, and Mother would have consented, but Aunt Barker said that
a man was painting the lattice and that I would in every probability
lean against the lattice, or brush the paint pots, or try to get a
drink at the pump, which, I gathered, splashed everybody for miles
around. So I sat in a patent rocker, and the only rift in a world of
black cloud was that, by rocking far enough, the patent rocker could be
made to give forth a wholly delectable squeak. Of course fate swiftly
descended; I was bidden discontinue the squeak, and nothing remained to
me.
Then we went to Grandma Bard’s. I did not in the least know why, but
the little rag-carpeted sitting-room, the singing kettle on the back of
the coal stove, the scarlet geraniums on the window, the fascinating
picture on the clock door, all entertained me at once. Grandma Bard
wore a black lace cap, and she bade me sit by her and instantly gave
me a peppermint drop from the pocket of her black sateen apron. She
asked me no questions, but while she talked with Mother, she laid
together two rose-coloured--rose-coloured!--bits of her patchwork and
quietly handed them to me to baste--none of your close stitches, only
basting! Then she folded a newspaper and asked me to cut it and scallop
it for her cupboard shelf. Then she found a handful of hickory nuts and
brought me the tack-hammer and a flat-iron....
“Oh, Mother, let’s _not_ go yet,” I heard myself saying.
Public-domain text, read in full here on John Shaqi.
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