Miss Ward,--she was always called Miss Ward, poor little dear! and her
dolls were taken away from her when she was only nine years old, that
she might better feel the dignity of her position!--Miss Ward rebuked
the little sisters, and bade them lay aside their foolish toys and
improve their minds by composing poetry. Louisa shook her black curls,
and would not,--moreover, did not, being herself a child of some
firmness. But little sweet Annie would try, to please Sister Julia; and
after much thought and labor she produced the following pious
effusion:--
“He feeds the ravens when they call,
And stands them in a pleasant hall.”
I never can recall these lines without having an instant vision of a
pillared hall, fair and
[Illustration: JULIA WARD.]
stately, with ravens standing in niches along the sides, between the
marble columns!
So this maiden, Julia, grew up to womanhood, dreamy and absent, absorbed
in severe study and composition, yet always ready with the brilliant
flashes of her wit, which broke like sunbeams through the mist of
dreams. She was very fair to look upon. No one now pitied her for the
glorious crown of red-gold hair, which set off the rose and ivory of her
matchless complexion; every one recognized and acknowledged in her
“stately Julia, queen of all.”
Once, while on a visit to Boston, Julia heard the wonderful story of
Laura Bridgman, who had just been led out of darkness into the light of
life and joy by a certain Dr. Howe, a man of whom people spoke as a
modern paladin of romance, a Roland or Bayard. She saw him, and felt at
once that he was the most remarkable man she had ever known. He, on his
part, saw a youthful prophetess, radiant and inspired, crowned with
golden hair. Acquaintance ripened into friendship, friendship into love;
and so it happened that, in the year 1843, Samuel G. Howe and Julia
Ward were married. The next chapter shall tell you of Julia Ward Howe,
as we, her children, have known her.
CHAPTER VII.
OUR MOTHER.
(MRS JULIA WARD HOWE.)
Our mother’s story should be sung rather than said, so much has music to
do with it. My earliest recollection of my mother is of her standing by
the piano in the great dining-room, dressed in black velvet, with her
beautiful neck and arms bare, and singing to us. Her voice was a very
rare and perfect one, we have since learned; we knew then only that we
did not care to hear any one else sing when we might hear her. The time
for singing was at twilight, when the dancing was over, and we gathered
breathless and exhausted about the piano for the last and greatest
treat. Then the beautiful voice would break out, and flood the room with
melody, and fill our childish hearts with almost painful rapture. Our
mother knew all the songs in the world,--that was our firm belief.
Certainly we never found an end to her repertory.
Public-domain text, read in full here on John Shaqi.
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