“In spite of the excitement of the day I went to bed and slept as
usual, but awoke next morning in the gray of the early dawn, and to
my astonishment found that the wished-for lines were arranging
themselves in my brain. I lay quite still until the last verse had
completed itself in my thoughts, then hastily rose, saying to
myself, ‘I shall lose this if I don’t write it down immediately.’ I
searched for a sheet of paper and an old stump of a pen which I had
had the night before, and began to scrawl the lines almost without
looking, as I had learned to do by often scratching down verses in
the darkened room where my little children were sleeping. Having
completed this, I lay down again and fell asleep, but not without
feeling that something of importance had happened to me.
“The poem was published soon after this time in the Atlantic
Monthly. It first came prominently into notice when Chaplain
McCabe, newly released from Libby Prison, gave a lecture in
Washington, and in the course of it told how he and his
fellow-prisoners, having somehow become possessed of a copy of the
‘Battle Hymn,’ sang it with a will in their prison, on receiving
surreptitious tidings of a Union victory.”
Our mother’s genius might soar as high as heaven on the wings of such a
song as this; but we always considered that she was tied to our little
string, and we never doubted (alas!) our perfect right to pull her down
to earth whenever a matter of importance--such as a doll’s funeral or a
sick kitten--was at hand.
To her our confidences were made, for she had a rare understanding of
the child-mind. We were always sure that Mamma knew “just how it was.”
To her did Julia, at the age of five, or it may have been six, impart
the first utterances of her infant Muse. “Mamma,” said the child,
trembling with delight and awe, “I have made a poem, and set it to
music!” Of course our mother was deeply interested, and begged to hear
the composition; whereupon, encouraged by her voice and smile, Julia
sang as follows:--
[Illustration: Music
I had a lit-tle boy;
He died when he was young.]
[Illusration: Music
As soon as he was dead,
He walked upon his tongue!]
Our mother’s ear for music was exquisitely fine,--so fine, that when she
was in her own room, and a child practising below-stairs played a false
note, she would open her door and cry, “B _flat_, clear! not B natural!”
This being; so, it was grievous to her when one day, during her precious
study hour, Harry came and chanted outside her door:
“Hong-kong! hong-kong! hong-kong!”
“Harry!” she cried, “do stop that dreadful noise!” But when the little
lad showed a piteous face, and said reproachfully, “Why, Mamma, I was
singing to you!” who so ready as our mother to listen to the funny song
and thank the child for it?
Public-domain text, read in full here on John Shaqi.
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