If Julia was like Milton’s “Penseroso,” Flossy was the “Allegro” in
person, or like Wordsworth’s maiden,--
“A dancing shape, an image gay,
To haunt, to startle, and waylay”
She was very small as a child. One day a lady, not knowing that the
little girl was within hearing, said to her mother, “What a pity Flossy
is so small!”
“I’m big inside!” cried a little angry voice at her elbow; and there was
Flossy, swelling with rage, like an offended bantam. And she _was_ big
inside! her lively, active spirit seemed to break through the little
body and carry it along in spite of itself. Sometimes it was an impish
spirit; always it was an enterprising one.
She it was who invented the dances which seemed to us such wonderful
performances. We danced every evening in the great parlor, our mother
playing for us on the piano. There was the “Macbeth” dance, in which
Flossy figured as Lady Macbeth. With a dagger in her hand, she crept and
rushed and pounced and swooped about in a most terrifying manner, always
graceful as a fairy. A sofa-pillow played the part of Duncan, and had a
very hard time of it. The “Julius Cæsar” dance was no less tragic; we
all took part in it, and stabbed right and left with sticks of
kindling-wood. One got the curling-stick and was happy, for it was the
next thing to the dagger, which no one but Flossy could have. Then there
was the dance of the “Four Seasons,” which had four figures. In spring
we sowed, in summer we reaped; in autumn we hunted the deer, and in
winter there was much jingling of bells. The hunting figure was most
exciting. It was performed with knives (kindling-wood), as Flossy
thought them more romantic than guns; they were held close to the side,
with point projecting, and in this way we moved with a quick _chassé_
step, which, coupled with a savage frown, was supposed to be peculiarly
deadly.
Flossy invented many other amusements, too. There was the school-loan
system. We had school in the little parlor at that time, and our desks
had lids that lifted up. In her desk Flossy kept a number of precious
things, which she lent to the younger children for so many pins an hour.
The most valuable thing was a set of three colored worsted balls, red,
green, and blue. You could set them twirling, and they would keep going
for ever so long. It was a delightful sport; but they were very
expensive, costing, I think, twenty pins an hour. It took a long time to
collect twenty pins, for of course it was not fair to take them out of
the pin-cushions.
Public-domain text, read in full here on John Shaqi.
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