If I were to hear a certain strain played in the desert of Sahara or on
the plains of Idaho, I should instantly “forward and back and cross
over,”--and so, I warrant, would most of my generation of Boston people.
There is one grave and courteous gentleman of my acquaintance, whom to
see dance the shawl-dance with his fairy sister was a dream of poetry.
As for the gavotte--O beautiful Amy! O lovely Alice! I see you now, with
your short, silken skirts flowing out to extreme limit of crinoline;
with your fair locks confined by the discreet net, sometimes of brown or
scarlet chenille, sometimes of finest silk; with snowy stockings, and
slippers fastened by elastic bands crossed over the foot and behind the
ankle; with arms and neck bare. If your daughters to-day chance upon a
photograph of you taken in those days, they laugh and ask mamma how she
could wear such queer things, and make such a fright of herself! But I
remember how lovely you were, and how perfectly you always dressed, and
with what exquisite grace you danced the gavotte.
[Illustration: LAURA E. RICHARDS.]
So, I think, all we who jumped and changed our feet, who pirouetted and
chasséed under Mr. Papanti, owe him a debt of gratitude. His hall was a
paradise, the stiff little dressing-room, with its rows of shoe-boxes,
the antechamber of delight,--and thereby hangs a tale. The child Laura
grew up, and married one who had jumped and changed his feet beside her
at Papanti’s, and they two went to Europe and saw many strange lands and
things; and it fell upon a time that they were storm-bound in a little
wretch of a grimy steamer in the Gulf of Corinth. With them was a
travelling companion who also had had the luck to be born in Boston, and
to go to dancing-school; the other passengers were a Greek, an Italian,
and--I think the third was a German, but as he was seasick it made no
difference. Three days were we shut up there while the storm raged and
bellowed, and right thankful we were for the snug little harbor which
stretched its protecting arms between us and the white churning waste of
billows outside the bar.
Public-domain text, read in full here on John Shaqi.
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