Gortre drew a long, shuddering breath of pleasure as he looked round. Every æsthetic influence within him responded to what he saw. And how simple and severe it all was! Simply a great domed hall of white marble, brilliantly lit by electric light hidden high above their heads. On every side slender columns rose towards the dome, beyond them were tall archways leading to the rooms of the house; dull, formless curtains, striking no note of colour, hung from the archways. In the centre of the vast space, exactly under the dome, was a large pool of still green water, a square basin with abrupt edges, having no fountain nor gaudy fish to break its smoothness. And that was all, literally all. No rugs covered the tesselated floor, not a single seat stood anywhere. There was not the slightest suggestion of furniture or habitation. White, silent, and beautiful! As Gortre stood there, he knew, as if some special message had been given him, that he had come for some great hidden purpose, that it had been foreordained. His whole soul seemed filled with a holy power, unseen powers and principalities thronged round him like sweet but awful friends. He turned inquiringly towards his host. Schuabe's face was very pale; the calm, cruel eyes seemed agitated; he was staring at the priest. "Come," he said in a voice which seemed to be without its usual confidence; "come, this place is cold--I have sometimes thought it a little too bare and fantastic--come into the library; let us eat and talk." He turned and passed through the pillars on the right. Gortre followed him through the dark, heavy curtains which led to the library. They found themselves in an immense low-ceilinged room. The floor was covered with a thick carpet of dull blue, and their feet made no sound as they passed over it towards the blazing fire, which glowed in an old oak framework of panelling and ingle-nook brought from an ancient manor-house in Norfolk. At one end of the room was a small organ, cased, modern as the mechanism was, in priceless Renaissance painted panels from Florence and set in a little octagonal alcove hung with white and yellow. The enormous writing-table of dark wood stood in front of the fireplace and was covered with books and papers. By it was a smaller circular table laid with a white cloth and shining glass and silver for a meal. "My valet is in bed," said Schuabe; "I hate any one about me at night, and I prefer to wait on myself then. 'From the cool cisterns of the midnight air my spirit drinks repose.' If you will wait here a few moments I will go and get some food. I know where to find some. Pray amuse yourself by looking at my books." He left the room noiselessly, and Basil turned towards the walls. From ceiling to floor the immense room was lined with shelves of enamelled white wood, here and there carved with tiny florid bunches of fruit and flowers--Jacobean work it seemed.