When It Was Dark: The Story of a Great ConspiracyThorne, Guy
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When It Was Dark: The Story of a Great Conspiracy
Thorne, Guy
Christian fiction; Conspiracies -- Fiction; England -- Fiction
The arm-chairs were upholstered in pink satin. On one of them was a long
fawn-coloured tailor-made coat, hanging collar downwards over the back.
A handful of silver and a tiny gun-metal cigarette case had dropped out
of a pocket on to the seat of the chair.
The whole place reeked with a well-known perfume--an evil, sickly smell
of ripe lilies and the acrid smoke of Egyptian tobacco. A frilled
dressing jacket covered with yellowish lace lay in a tumbled heap upon
the hearth-rug.
The room would have struck an ordinary visitor with a sense of nausea
almost like a physical blow. There was something sordidly shameless
about it. The vulgarest and most material of Circes held sway among all
this gaudy and lavish disorder. The most sober-living and
innocent-minded man, brought suddenly into such a place, would have
known it instantly for what it was, and turned to fly as from a
pestilence.
A week or two before, a picture of this den had appeared in one of the
illustrated papers. Underneath the photograph had been printed--
"THE BOUDOIR OF ONE OF LONDON'S POPULAR FAVOURITES.
MISS GERTRUDE HUNT AT HOME."
Below had been another picture--"Miss Hunt in her new motor-car." Robert
Llwellyn had paid four hundred pounds for the machine.
The big man seemed to fit into these surroundings as a hand into a
glove. In his room at the Museum, on a platform at the Royal Society,
his intellect always animated his face. In such places his personality
was eminent, as his work also.
Here he was changed. Silenus was twin to him; he sniffed the perfume
with pleasure; he stretched himself to the heat and warmth like a great
cat. He was an integral part of the _mise-en-scène_--lost, and arrogant
of his degradation.
A key clicked in the lock, there was a rustling of silk, and Gertrude
Hunt swept into the room.
"So you're come to time, then," she said in a deep, musical voice, but
spoilt by an unpleasing Cockney twang. "I'm dead tired. The theatre was
crammed; I had to sing the _Coon of Coons_ twice. Get me a
brandy-and-soda, Bob. There's a good boy--the decanter's in the
sideboard."
She threw off her long cloak and sank into a chair. The sticky
grease-paint of the theatre had hardly been removed. She looked, as she
said, worn out.
They chatted for a few moments on indifferent subjects, and she lit a
cigarette. When she took it from her lips, Llwellyn noticed that the end
was crimsoned by the paint upon them.
"Well," she said at length, "somehow or other you must pay those bills I
sent on to you. They _must_ be paid. I can't do it. I'm only getting
twenty-five pounds from the theatre now, and that's just about enough to
pay my drink bill!"
Llwellyn's face clouded. "I'm just about at my last gasp myself," he
said. "I'm threatened with bankruptcy as it is."
Public-domain text, read in full here on John Shaqi.
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