When It Was Dark: The Story of a Great ConspiracyThorne, Guy
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When It Was Dark: The Story of a Great Conspiracy
Thorne, Guy
Christian fiction; Conspiracies -- Fiction; England -- Fiction
Llwellyn's face became white, and then ashen grey. His whole body seemed
to shrink from his clothes; he trembled terribly.
Then he broke away from his host and ran to the fireplace with an odd,
jerky movement, and sank cowering into an arm-chair, filled with an
unutterable dread.
* * * * *
As morning stole into the room the Professor took a bundle of bills and
acknowledgements from Schuabe and thrust them into the fire with a great
sob of relief.
Then he turned into a bedroom and sank into the deep slumber of absolute
exhaustion.
He did not go to the Museum that day.
CHAPTER VII
LAST WORDS AT WALKTOWN
The great building of the Walktown national schools blazed with light.
Every window was a patch of vivid orange in the darkness of the walls.
The whole place was pervaded by a loud, whirring hum of talk and
laughter and an incredible rattle of plates and saucers.
In one of the classrooms down-stairs Helena Byars, with a dozen other
ladies of the parish, presided over a scene of intense activity. Huge
urns of tea ready mixed with the milk and sugar, were being carried up
the stone stairs to the big schoolroom by willing hands. Piles of thick
sandwiches of ham, breakfast-cups of mustard, hundreds of slices of
moist wedge-shaped cake covered the tables, lessening rapidly as they
were carried away to the crowded rooms above.
A Lancashire church tea-party was in full swing, for this was the
occasion when Basil Gortre was to say an official farewell to the people
among whom he had worked in the North.
In the tea-room itself several hundred people were making an enormous
meal at long tables, under flaring, naked gas-lights, which sent
shimmering vapours of heat up to the pitch-pine beams of the room above.
On the walls of the schoolroom hung long, map-like pictures, heavily
glazed. Some of them were representations of foreign animals, or trees
and plants, with the names printed below each in thick black type.
Others represented scenes from the life of Christ, and though somewhat
stiff and wooden, showed clearly the immense strides that educational
art has taken during the past few years.
At one end of the room was a platform running along its length. Some
palms and tree-ferns in pots, chairs, a grand piano, and some music
stands, promised a concert when tea should be over.
All the ladies of the parish were acting as attendants, or presiding at
the urns on each table. There could be no doubt that the people were in
a state of high good humour and enjoyment. Every now and again a great
roar of laughter would break through the prevailing hum from one table
or another. Despite the almost stifling heat and a mixed odour of
humanity and ham, which a sensitive person might have shrunk from, the
rough, merry Lancashire folk were happy as may be.
Public-domain text, read in full here on John Shaqi.
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