When It Was Dark: The Story of a Great ConspiracyThorne, Guy
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When It Was Dark: The Story of a Great Conspiracy
Thorne, Guy
Christian fiction; Conspiracies -- Fiction; England -- Fiction
He raised his hand, gave a couple of beats in the air, and the famous
old hymn burst out royally. The great volume of sound seemed too fierce
and urgent even for that spacious room. It pressed against the ear-drums
almost with pain, though sung with the perfect time and tune which are
the heritage of the sweet-voiced North-country folk:--
"_All people that on earth do dwell,
Sing to the Lord with cheerful voice!_"
How hearty it was! How strong and confident!
As Basil Gortre listened his heart expanded in love and fellowship
towards these brother Christians. The dark phantoms which had rioted in
his sick brain during the long weeks of his illness lay dead and
harmless now. The monstrous visions of a conventional and formal
Christianity, covering a world of secret and gibing atheism, seemed
incredibly far removed from the glorious truth, as these strong, homely
people sang a full-voiced _ave_ to the great brooding Trinity of Power
and Love unseen, but all around them.
Who was he to be refined and too dainty for his uses? There seemed
nothing incongruous in the picture before his eyes. The litter of broken
ham, the sloppy cups, the black-coated men with brilliant sky-blue satin
ties, the women with thick gnarled hands and clothes the colour of a
copper kettle, what were they now but his very own brethren, united in
this burst of praise?
And he joined in the doxology with all his heart and voice, his clear
tenor soaring joyously above the rest:
"_To FATHER, SON, and HOLY GHOST,
The GOD Whom Heaven and earth adore,
From men and from the Angel-host
Be praise and glory evermore. Amen._"
It ceased with suddenness. There was the satisfied silence of a second,
and then the attendant helpers, assisted by the feasters, fell swiftly
upon the tables. Cloths and crockery vanished like snow melting in
sunlight, and as each table was laid bare it was turned up by a patent
arrangement, and became a long bench with a back, which was added to the
rows of seats facing the platform. As each iron-supported seat was
pushed noisily into its place it was filled up at once with a laughing
crowd, replete but active, smacking anticipatory chops over the
entertainment and speech-making to come.
Mr. Cuthbert, a painstaking pianist, whose repertoire was noisily
commonplace, opened the concert with a solo.
Songs and recitations followed. All were well received by an audience
which was determined to enjoy itself, but it was obvious that the real
event of the gathering was eagerly awaited.
At last the eventful moment arrived. A table covered with green baize
and bearing some objects concealed by a cloth was carried on the
platform, and a row of chairs placed on either side of it.
The vicar, Basil, a strange clergyman, and a little group of
black-coated churchwardens and sidesmen filed upon the platform amid
tumultuous cheering and clapping of hands.
Public-domain text, read in full here on John Shaqi.
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