England -- Fiction; France -- Fiction; Short stories, English
George Ritherdon groaned. "Yes," he said, "he did. But the proofs were
not enclosed. After writing the outside letter I changed my mind, and
withheld them, explaining my reasons within. He found his plot laid in
vain; and it was under the shock of this disappointment--the packet
lay before him re-sealed and directed to me--that he--that he did it.
Poor Gerald!"
"Poor Gerald!" I said. What else remained to be said?
It may be a survival of superstition, yet when I dine in Baker Street
now, I take some care to go home by any other route than that through
Fitzhardinge Square.
The Invisible Portraits.
On a certain morning in last June I was stooping to fasten a
shoe-lace, having taken advantage for the purpose of the step of a
corner house in St. James's Square, when a man passing behind me
stopped.
"Well!" said he, aloud, after a short pause during which I wondered--I
could not see him--what he was doing, "the meanness of these rich folk
is disgusting! Not a coat of paint for a twelvemonth! I should be
ashamed to own a house and leave it like that!"
The man was a stranger to me, and his words seemed as uncalled for as
they were ill-natured. But being thus challenged I looked at the
house. It was a great stone mansion with a balustrade atop, with many
windows and a long stretch of area railings. And certainly it was
shabby. I turned from it to the critic. He was shabby too--a little
red-nosed man wearing a bad hat. "It is just possible," I suggested,
"that the owner may be a poor man and unable to keep it in order."
"Ugh! What has that to do with it?" my new friend answered
contemptuously. "He ought to think of the public."
"And your hat?" I asked with winning politeness. "It strikes me, an
unprejudiced observer, as a bad hat. Why do you not get a new one?"
"Cannot afford it!" he snapped out, his dull eyes sparkling with rage.
"Cannot afford it? But, my good man, you ought to think of the
public."
"You tom-cat! What have you to do with my hat? Smother you!" was his
kindly answer; and he went on his way muttering things uncomplimentary.
I was about to go mine, and was first falling back to gain a better
view of the house in question, when a chuckle close to me betrayed the
presence of a listener, a thin, gray-haired man, who, hidden by a
pillar of the porch, must have heard our discussion. His hands were
engaged with a white tablecloth, from which he had been shaking the
crumbs. He had the air of an upper servant of the best class. As our
eyes met he spoke.
"Neatly put, sir, if I may take the liberty of saying so," he observed
with a quiet dignity it was a pleasure to witness, "and we are very
much obliged to you. The man was a snob, sir."
"I am afraid he was," I answered; "and a fool too."
"And a fool, sir. Answer a fool after his folly. You did that, and he
was nowhere; nowhere at all, except in the swearing line. Now might I
ask," he continued, "if you are an American, sir?"
Public-domain text, read in full here on John Shaqi.
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