"Miss Copeland did absolutely nothing on her examination, Miss Wyatt,
and what little she has recited during the year does not betoken any
unusual ability. I am sorry, but it would be impossible."
"But, Miss Prescott," Patty expostulated, "the girl has worked under
such peculiar disadvantages. She's an American, but she lives abroad,
and all our ways are new to her. She has never been to school a day in
her life. Her father prepared her for college, and, of course, not in
the same way that the other girls have been prepared. She is shy, and
not being used to reciting in a class, she doesn't know how to show off.
I am sure, Miss Prescott, that if you would take her and examine her
yourself, you would find that she understands the work--that is, if you
would let her get over being afraid of you first. I know you're busy,
and it's asking a good deal," Patty finished apologetically.
"It is not that, Miss Wyatt, for of course I do not wish to mark any
student unjustly; but I cannot help feeling that you have overestimated
Miss Copeland's ability. She has really had a chance to show what is in
her, and if she has failed in as many courses as you say--The college,
you know, must keep up the standard of its work, and in questions like
this it is not always possible to consider the individual."
Patty felt that she was being dismissed, and she groped about wildly for
a new plea. Her eye caught a framed picture of the old monastery of
Amalfi hanging over the bookcase.
"Perhaps you've lived in Italy?" she asked.
Miss Prescott started slightly. "No," she said; "but I've spent some
time there."
"That picture of Amalfi, up there, made me think of it. Olivia Copeland,
you know, lives near there, at Sorrento."
A gleam of interest flashed into Miss Prescott's eye.
"That's how I first came to notice her," continued Patty; "but she
didn't interest me so much until I talked to her. It seems that her
father is an artist, and she was born in Italy, and has only visited
America once when she was a little girl. Her mother is dead, and she and
her father live in an old villa on that road along the coast leading to
Sorrento. She has never had any girl friends; just her father's
friends--artists and diplomats and people like that. She speaks Italian,
and she knows all about Italian art and politics and the church and the
agrarian laws and how the people are taxed; and all the peasants around
Sorrento are her friends. She is so homesick that she nearly dies, and
the only person here that she can talk to about the things she is
interested in is the peanut man down-town.
[Illustration: Olivia Copeland]
Public-domain text, read in full here on John Shaqi.
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