When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
General
When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"But I don't like the idea, nor am I fond of the sight of graves, and
the thought of death. Oh, Philip! what is that fat old man saying to
you?"
"He wants to show us a grave over the Marquis of Anglesea's leg, and is
the proud possessor of the house where it was amputated. It was buried
in a polished coffin, and has a monument erected to its memory. But
who are you eyeing so intently, Eleanor?" turning as he speaks. "Why!
If it isn't that impudent young puppy again, who mopped up the milk!"
"Cream, Philip, cream."
"Well! don't look at him, darling," putting his arm through hers to
draw her gently away. "We will escape from the voluble Belgian with
the leg story. He wants to show us the boot that once cased the foot.
Such a fuss about nothing!"
Eleanor returns to the carriage, but, as they drive to the huge mound
with the Belgic Lion on the summit, she is conscious that Herbert
Dallison is following.
For the rest of the day he always seems only a yard from her, as they
examine the red walls pitted by bullets, and wander round the Museum.
He has a party of friends with him--Eleanor can hear them chaffing the
guide, and ridiculing everything. Their absurd remarks amuse her, from
time to time she laughs for no apparent reason.
At last she owns to fatigue, and Philip leaves her, while he goes in
search of their carriage.
"Would you like some relics?" says a voice at her elbow.
Eleanor knows who is speaking before she looks round. Herbert Dallison
stands besides her, holding out a French forage cap, a bullet, and a
rusty sword broken off in the middle.
She seizes them delightedly.
"Thank you, thank you, but please go away," as Philip's figure looms in
sight.
She does not need to ask twice. Herbert Dallison seems to vanish into
thin air.
"You silly child!" cries Philip laughingly, "to spend your money on
those so-called 'relics' manufactured at Birmingham or Brussels to
beguile innocent tourists. A fresh crop of bullets and swords, I'm
told, is sown every year, that you may have the pleasure of seeing them
turned up yourself."
Eleanor smiles a little nervously. She is beginning to wish she had
not taken the presents. What would Philip say if he knew?
He helps her into the carriage with her spoil, the giver following with
his party in the rear.
Eleanor becomes momentarily more conscience-stricken; the sight of the
"relics" are hateful to her.
"I want to throw all this rubbish away," she cries at last. "It will
only be a worry to me."
"Very true," replies her husband.
"I know," a mischievous twinkle in her eyes. "Let me shy them out on
the road, and someone will think they have discovered real curiosities."
She stands up in childish glee, casting back a mocking smile at Herbert
Dallison. One by one she flings his gifts from her, with an expressive
look signifying second thoughts are best. He has taken his friends
into his confidence, and is horrified at the hilarious laughter which
breaks from them at Eleanor's act.
Public-domain text, read in full here on John Shaqi.
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