When the birds fly southCoblentz, Stanton A. (Stanton Arthur)
Science
When the birds fly south
Coblentz, Stanton A. (Stanton Arthur)
Afghanistan -- Fiction; Fantasy fiction; Man-woman relationships -- Fiction
In my feverish state of mind, I had the impression that I had been
captured by savages; tales of cannibals and cannibal feasts, in a
nightmarish sequence, streamed across my memory. Perhaps I cried
out in a half-witted way; or perhaps it was merely that I groaned
unconsciously at my wounds, for suddenly I found myself the focus of
attention for the dusky figures; a dozen pairs of eyes were peering at
me curiously. Among them were two which, even in the dimness, I thought
I could recognize: while the multitude were mumbling unintelligibly,
a feminine form bent over me, and a feminine voice murmured so gently
that I was reassured even though I did not understand the words.
And again I felt myself lifted by strong hands; and, after a minute, I
was borne through a doorway into the vagueness of some rude dwelling.
The room was a small one, I judged; in the sputtering candlelight
it appeared to me that my outspread arms could have reached halfway
across. Yet I took no note of details as the unseen hands placed me on
a mass of some stringy, yielding substance. So exhausted was I that I
quickly lost track of my surroundings in much needed sleep.
It may have been hours before I awoke, greatly refreshed, yet with
a sensation of terror. All about me was darkness; the silence was
complete. For an instant I had an impression of being back on the
mountain in the fog; then, as recollection came flashing upon me, I
understood that I was safe among friends. But all the rest of that
night I was tormented by dreams of lonely crags and mantling mists; and
when again I awoke it was abruptly and after a nightmare fall over a
precipice whose bottom I never reached....
To my joy, it was once more twilight. By the illumination of an open,
glassless window, I could distinguish the details of the room--and
singular details they were! The walls were of logs, great rough-hewn
pine logs standing erect and parallel, with the bark still clinging;
slenderer logs formed the flat low ceiling; and timbers crudely
smoothed and levelled constituted what passed for a floor. Scattered
masses of straw did duty as a carpet, while straw likewise composed
my couch; and I was lying so low that I could have rolled to the
floor without injury. I noted that the room had neither ornament nor
furniture; that the wide, open fireplace, filled with cold ashes,
seemed almost the only convenience; and that the door, while as
massively built as the walls, was apparently without lock or bolt.
But as the light gradually increased, it was not the room itself that
held my attention, but rather the view from the window. No painting I
had ever observed was so exquisite as that vision of a green and white
eastern mountain, rounded like a great head and aureoled with rose and
silver where the rays of sunrise fought their way fitfully through
serried bands of cloud.
Public-domain text, read in full here on John Shaqi.
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