Mexico -- History -- Revolution, 1910-1920 -- Fiction
Raul waited, and as he waited, standing in the door, his father dozed.
He called Chavela and instructed her to check from time to time.
Stepping into the patio, he paused to take in the warm sun; he felt
more like himself as he assimilated the light and air, heard laughter
in the kitchen, and listened to the twittering and jabbering of
parrots, thrushes and doves in their wall cages, cages that decorated
all sides of the patio. A stone fountain centered the patio. Many
years ago, the pink stones had been brought by oxcart from a
prehistoric pyramid in Sector 9. Carved snakes wound from stone block
to stone block, to vanish, with reptilian grace, over the rim. Raul
sat on the curb, under the cypress. A dragonfly rode a lily pad.
Where bougainvillaea climbed the wall a white butterfly, as big as a
woman's cupped hands, descended: it seemed to be coming down an aerial
stairway a step at a time. Raul shut his eyes, wanting to forget his
problems, the ugly face of his father, the threat of dissolving
traditions.
Presently, he went to the stable where Chico stood, brushed and
saddled, tail switching. Manuel was polishing the cantle, chatting
with other men; hens and roosters scratched in the floor straw; the air
boomed with flies.
"The sacks are on," said Manuel, punching a corn sack behind Chico's
saddle.
"Let's go, then," said Raul. "Are you ready?"
"I'm all set," said Manuel.
The palomino's beauty was obvious in many ways: bone structure, slant
of ears, line of hocks, texture of mane and tail. Chico swung his head
to watch Raul mount; his teeth ground his bit slightly. Lagoon and
volcano came alive as the men rode side by side, Manuel on an Arabian
bay. Each rider had a western saddle ornamented with silver, tasseled
with red. They left the hacienda by the main road, lined on both sides
with eucalyptus trees, four and five feet in diameter and fifty to
sixty feet tall. The fragrant foliage sweetened the air; birds sang;
dust puffs fitted like leggings around the horse's hoofs. Manuel's
Arabian carried the heaviest sack of corn, but did not seem to mind.
Raul packed a revolver in a new holster. Manuel had two pistols slung
on a full cartridge belt. Both were dressed in white and wore straw
hats with quail feathers under the bands.
Again volcano and lagoon swung with the riders; at a curve in the road,
with the shore line close, ducks swam across the volcano's reflection.
The double line of eucalyptus rambled on, but at the end of the lane,
where a road intersected, they spread into a grove. Close to the
grove, a white wooden cross pegged a hill. A tall man was looping
dried marigold strands on an arm of the cross, his back toward Raul and
Manuel. When he heard the horses, he faced about, his face luxuriously
bearded with curly white hair. Picking up his hat out of the weeds, he
walked toward the road.
"It's Alberto, the musician," said Raul, pleased.
"Ah, so it is. I hear he's been very sick," said Manuel.
Public-domain text, read in full here on John Shaqi.
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