Mexico -- History -- Revolution, 1910-1920 -- Fiction
From a hill, the hacienda resembled a small fort, disguised among
garden and trees. The volcano blocked the horizon, dragging an ugly
purple scar above the green valley and dark green lagoon. Where banana
trees fanned into a screen, Raul sat down, overcome with grief. The
banana leaves, shaking in the wind, chopped his thoughts to fragments:
he saw the open grave, Caterina in her red dress, the chapel, and
Vicente running away, Angelina crying: it would have been better to
have put Caterina in a buggy and taken her to Colima, as sick as she
was. How stupid to have become dependent on Velasco and Hernández.
What is wrong with people? he thought. He felt more and more confused.
The shaking leaves irritated him; he felt shut in, dominated by the
grove. Shortly, he rose and walked through the palmera, to find the
spade sticking where the workmen had left it. It was dusk now and
fireflies blinked yellow and green. One of the bugs flickered about
him, as he began to shovel the dirt onto her coffin. Stars were
brilliant ... fronds motionless now. The spade rasped. The box
sounded hollow. Raul brushed away sweat. The smell of the fresh earth
choked him and he leaned on the handle, remembering that she had dashed
after fireflies, shouting, bottling them, sharing them with Vicente.
Salvador found Raul leaning on the spade and, without a word, took it
and went on filling the grave.
"Let me have a cigarette paper, Don Raul," he said, as Raul started off.
"Of course," said Raul, and gave him paper and tobacco.
As Raul passed the corral, Chico neighed. Head over brick wall, he
called and Raul thought of a night ride and then dismissed the idea.
While he stroked the horse's head, Manuel joined him and they lit
cigarettes: as the match flared, they studied one another, read one
another's minds, a communication without words.
Raul inhaled deeply, and said:
"I know a sculptor in Guadalajara and I'll have him make a bronze
figure for Caterina's grave. The next time I go to Guadalajara, I'll
visit his studio. I want the figure of a young girl carrying flowers.
Our family burial plot is as cheap and ugly as the fields. It doesn't
have to be."
"Caterina deserves something good," Manuel said.
Raul patted Chico's nose and distended lip, and the horse bobbed his
head, snuffling.
"I must go and be with Angelina now," Raul said. "I don't know where
she is: is she in her room?"
"Father Gabriel's with her. In the living room."
"I'm glad of that. I'll join them."
He felt tempted to mention the owl's cry in the night: no, that would
be unwise: peering at the sky, he imagined broad, dark wings headed for
the lagoon: the bird would glide low, searching for a frog in the
sedges, a snake, a toad ... a child.
7
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account